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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jan 26, 2023 | Sotheby's | New York | Master Paintings Part I | 122 | $****** - ****** | A Still Life with Cherries and Strawberries in Wanli Dishes, an Orange on a Pewter Plate with a Knife, Gooseberries, Red, White and Black Currants, Mulberries, a Berkemeier and a Stoneware Jug on a Table Covered with a White Tablecloth |
paintings
45.4 x 63.5 cm (17.88 x 25 in)
oil on panel
signed in monogram and dated lower left: PC Ao 1621
Anonymous sale (collection of John Holland et al.), London, Christie's, 11 April 1913, lot 101;
Sydney Morse (1854-1929), London;
By whose estate sold, London, Christie's, 26 July 1929, lot 38, to Dunthorne;
With Rembrandt Gallery, London, 1935 - 1938;
Eric C. Francis, West Monkton, United Kingdom;
By whom sold, London, Sotheby's, 5 July 1984, lot 258;
With David Koetser, Zurich, 1985;
With Richard Green, London, 1988, until at least 1991;
Private collection, Milan;
With Richard Green, London;
From whom acquired by the present collector.
London, Royal Academy, 17 th Century Art in Europe , 1938, no. 190;
London, Royal Academy, Dutch Pictures 1450-1750 , 1952-1953, no. 143;
Haarlem, Frans Hals Museum; Zurich, Kunsthaus; Washington, D.C., National Gallery of Art, Pieter Claesz., Master of Haarlem Still Life , 27 November 2004 - 31 December 2005, no. 1.
N.R.A. Vroom, De schilders van het monochrome banketje, Amsterdam 1945, cat. no. 17;
I. Bergström, Studier i Holländisdkt Stillebenmaler under 1600-Talet , Göteborg 1947, p. 120f, reproduced fig. 100;
I. Bergström, Dutch Still Life Painting in the Seventeenth Century , London 1956, p. 114, reproduced fig. 100;
M. Millner Kahr, Dutch Painting in the Seventeenth Century , New York 1978, p. 196;
H. Bauer, Holländische Malerei des 17. Jahrhunderts , Munich 1979, pp. 84, 87, reproduced p. 85;
N.R.A. Vroom, A Modest Message as Intimated by the Painters of the 'Monochrome Banketje,' Schiedam 1980, vol. II, p. 16, cat. no. 39, reproduced;
B. Haak, Hollandse Schilders in de Gouden Eeuw , Amsterdam 1984/ Das Goldene Zeitalter der Höllandische Malerei , Cologne 1984/ The Golden Age: Dutch Painters of the 17 th Century , New York 1984, p. 247, reproduced fig. 517;
P. Lorenzelli, Orbis pictus: Natura Morta in Germania, Olanda, Fiandre, XVI-XVIII Secolo , exhibition catalogue, Bergamo 1986, p. 135, reproduced fig. 61;
S. Segal, A Prosperous Past: The Sumptuous Still Life in the Netherlands 1600-1700 , exhibition catalogue, pp. 121 and 215, note 5;
E. Gemar-Koeltzsch, Holländische Stillebenmaler im 17. Jahrhunderts , Lingen 1995, vol. II, p. 227, no. 76/1, reproduced;
A.W. Lowenthal, "Pieter Claesz.," The Dictionary of Art , London and New York 1996, vol. VII, p. 369;
M. Brunner-Bulst, Pieter Claesz. Der Hauptmeister des Haarlemer Stillebens im 17. Jahrhundert, Lingen 2004, pp. 8, 137-138, 206, cat. no. 1, reproduced in color p. 9;
P. Biesboer, ed., Pieter Claesz. Master of Haarlem Still Life, exhibition catalogue, Zwolle 2004, pp. 16, 37-38, 114, cat. no. 1, reproduced in color (detail) pp. 8 - 9, 13.
Property of a New York Private Collector
Pieter Claesz.
Berchem 1597/8 - 1660/1 Haarlem
A Still Life with Cherries and Strawberries in Wanli Dishes, an Orange on a Pewter Plate with a Knife, Gooseberries, Red, White and Black Currants, Mulberries, a Berkemeier and a Stoneware Jug on a Table Covered with a White Tablecloth
signed in monogram and dated lower left: PC Ao 1621
oil on panel
panel: 17⅞ by 25 in.; 45.5 by 63.5 cm.
framed: 27¼ by 33¾ in.; 69.2 by 85.7 cm.
