Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 14, 2017 | Christie's | New York | Impressionist and Modern Art Evening Sale Including Property from The Collection of Nancy Lee and Perry R. Bass | 46A | $****** - ****** | Les Lilas (Le bouquet schématique) | |||
May 8, 1995 | Sotheby's | New York | Impressionist & Modern Paintings & Sculpture - Stralem Collection | 42 | Estimates not disclosed | Les lilas, le bouquet schematique |
paintings
34.9 x 27.9 cm (13.75 x 11 in)
oil on board laid down on cradled panel
Estate of the artist.
Sam Salz, Inc., New York (acquired from the above).
Donald and Jean Stralem, New York (acquired from the above, 1953); sale, Sotheby’s, New York, 8 May 1995, lot 42.
Acquired at the above sale by the late owner.
The Cleveland Museum of Art and New York, The Museum of Modern Art, Edouard Vuillard, January-June 1954, p. 101 (illustrated in color, p. 21; dated 1892 and with incorrect support).
The Minneapolis Institute of Arts, The Nabis and their Circle, November-December 1962, p. 149 (illustrated in color on the front cover; dated 1892 and with incorrect support).
New York, Christie’s, Manson & Woods, Ltd., Van Gogh, Gauguin and Their Circle: An Exhibition for the Benefit of the Episcopal Mission Society in the Diocese of New York, November 1968, no. 32 (illustrated; dated 1892).
New York, M. Knoedler & Co., Inc., The Protean Century: 1870-1970, A Loan Exhibition from the Dartmouth College Collection, Alumni and Friends of the College, February 1970, no. 63 (illustrated; dated 1892 and with incorrect support).
Toronto, Art Gallery of Ontario; San Francisco, California Palace of the Legion of Honor and The Art Institute of Chicago, Edouard Vuillard, September 1971-March 1972, p. 226, no. IV (illustrated in color; dated 1892 and with incorrect support).
New York, The Museum of Modern Art, 1990 (on loan).
Lyons, Musée des Beaux-Arts and Barcelona, Fundación Caja de Pensions, Vuillard, September 1990-January 1991, pp. 168 and 212, no. 8 (illustrated in color, p. 169; with incorrect support).
Montreal, Musée des Beaux-Arts, Le Temps des Nabis, August-November 1998, p. 115, no. 158 (illustrated; illustrated again in color, p. 26; with incorrect support).
Washington, D.C., National Gallery of Art; The Montreal Museum of Fine Arts; Paris, Galeries nationales du Grand Palais and London, Royal Academy of Arts, Edouard Vuillard, January 2003-April 2004, pp. 53 and 64, no. 10 (illustrated in color, p. 64).
Madrid, Museo Thyssen-Bornemisza, Gauguin and the Origins of Symbolism, September 2004-January 2005, p. 211, no. 87 (illustrated in color).
B. Dorival, Les peintres du vingtième siècle: Nabis, Fauves, Cubistes, Paris, 1957, p. 21 (titled Lilas dans un vase).
ArtNews, December 1962, p. 36 (illustrated).
S. Preston, Edouard Vuillard, New York, 1972, p. 70 (illustrated in color, p. 71; dated 1892 and with incorrect support).
A. Georges, Symbolisme et décor: Vuillard, 1888-1905, Ph.D. Diss, Université de Paris I, Sorbonne, 1982, p. 24.
G. Cogeval, Vuillard: Le temps détourné, découvertes, exh. cat., Réunion des Musées Nationaux, Paris, 1993, p. 26 (detail illustrated in color on a frontispiece; illustrated again in color, p. 26, fig. 26g; with incorrect support).
A. Salomon and G. Cogeval, Vuillard: Le regard innombrable, catalogue critique des peintures et pastels, Paris, 2003, vol. I, p. 94, no. II-28 (illustrated in color).
