Heinz Spielmann (ed.), Die Maler der Brücke. Sammlung Hermann Gerlinger, Stuttgart 1995, p. 273, SHG no. 399 (illu.). Hermann Gerlinger, Katja Schneider (eds.), Die Maler der Brücke. Inventory catalog Hermann Gerlinger Collection, Halle (Saale) 2005, p. 352, SHG no. 787 (illu.). Ernst Ludwig Kirchner, 1919, quoted from: Lucius Grisebach, Ernst Ludwig Kirchner 1880-1938, Cologne 1995, p. 153. It was because of his poor health that E. L. Kirchner went to Davos to seek medical treatment from Dr. Frédéric Bauer, then head physician at the Davos Park Sanatorium, several times from 1917 onward, before he and his partner Erna Schilling finally movied to Switzerland for good. Until 1923, Kirchner lived in the house "In den Lärchen" in Davos-Frauenkirch, where this work was also created. At his place of longing in the Swiss mountains, he could enjoy a simple, rustic life with only a few amenities. The Alpine landscape, the life of the local farmers" families and the bucolic idyll nature had to offer were important sources of inspiration for Kirchner during these years and led to both mental stability and a renewal of creativity. Impressed by the nature he was now surrounded by and which the versatile artist also immortalized in photographs, Kirchner depicted the mountainous landscape in drawings, watercolors, paintings and prints. In this dynamic drawing, he combined the grandiose Swiss mountains and his simple, balanced life far from his former bustling city life with his masterly draftsmanship and bold, expressionist color accents. Kirchner used the dense composition, partly already in color, in, among others, the paintings "Kummeralpberg" (1920, Art Institute of Chicago) and "Tobel der Stafelalp" (1919, Gordon 596). [CH] In good condition. Edges minimally scuffed in places and slightly worn. The upper third with slight creases and a diagonal folding mark in the area of the upper right corner, there with a small tear in the upper edge. Image minimally rubbed and soiled in places.