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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jul 14, 2020 | Christie's | New York | Dialogues: Modern and Contemporary Art | 75 | $****** - ****** | Uovo Scultura n. 29 (Egg Sculpture No. 29) |
sculpture
ink on egg in wooden box
Vanni and Alina Scheiwiller, Milan.
Claudia Gian Ferrari, Milan.
Acquired from the above by the present owner.
Amsterdam, Stedelijk Museum, Tentoostelling Nul, 1962 (another from the edition exhibited, illustrated).
Milan, Civico Padiglione d’Arte Contemporanea, Cinquant’anni & Dada. Dada in Italia. 1916-1966, 1966, p. 220 (another from the edition exhibited).
Turin, Galleria Notizie, Aspetti dell’avanguardia in Italia, 1966 (another from the edition exhibited).
Eindhoven, Stedelijk Van Abbemuseum, Keuze uit de aanwinsten 1965-1968 van het Stedelijk Van Abbemuseum Eindhoven, 1969, p. 19 (another from the edition exhibited).
Hannover, Kunstverein Hannover, Piero Manzoni, 1969 (another from the edition exhibited).
Amsterdam, Stedelijk Museum, Piero Manzoni, 1969 (another from the edition exhibited, illustrated).Mönchengladbach, Städtisches Museum Mönchengladbach, Beleg, Kunstwerke der zweiten Hälfte des 20. Jahrhunderts aus dem Besitz der Stadt Mönchengladbach,1969-1970 (another from the edition exhibited).
Milan, Galleria Blu, Piero Manzoni, 1970 (another from the edition exhibited).
Rome, Galleria nazionale d'arte moderna, Piero Manzoni, 1971 (others from the edition exhibited, another from the edition illustrated, no. 67).
Nuremberg, Kunsthalle Nürberg am Marientor, Künstlerhaus am Königstor, Zweiten Biennale Nürberg. Was die Schönheit sei, das weiß ich nicht. Künstler. Theorie. Werk. Austellungsverzeichnis, 1971 (another from the edition exhibited).
New York, Sonnabend Gallery, Piero Manzoni, 1972, p. 49 (another from the edition exhibited, illustrated).
Ferrara, Galleria Civica di Arte Moderna, Palazzo dei Diamanti, Participio Presente, 1973 (another from the edition exhibited).
Basel, Kunstmuseum Basel, Piero Manzoni 1933- 1963. Werke aus holländischem Privatbesitz, 1973 (another from the edition exhibited, illustrated).
Munich, Städtische Galerie im Lenbachhaus, Piero Manzoni 1933-1963, 1973 (another from the edition exhibited, illustrated).
London, The Tate Gallery, Piero Manzono: Paintings, reliefs & objects, 1974, no. 42 (another from the edition exhibited, illlustrated. p. 59).
Turin, Galleria Civica di Arte Moderna, Arte in Italia 1960-1977. Dall’opera al coinvolgimento. L’opera: simboli e immagini. La linea analitica, 1977, p. 76 (another from the edition exhibited).
Madrid, Centro de arte Reina Sofía, Palacio Cristal, La otra escultura: treinta años de escultura italiana, 1990, p. 29 (another from the edition exhibited, illustrated).
New York, Hirschl & Adler Modern, Piero Manzoni, 1990, p. 97, no. 18 (another from the edition exhibited, illustrated in colour, p. 71).
Paris, Musée d’Art Moderne de la Ville de Paris, Piero Manzoni, 1991-1992, p. 221 (others from the edition exhibited, illustrated in colour, cover, pp. 149-153). This exhibition later travelled to Herning, Herning Kunstmuseum; Madrid, Sala de Exposiciones de la Fundación la Caixa and Rivoli, Castello di Rivoli, Museo d’Arte Contemporanea.
Solothurn, Kunstmuseum Solothurn, Bilder aus der Sammlung von Hans und Käthi Liechti, 1993 (another from the edition exhibited, illustrated).
Esslingen, Galerie der Stadt Esslingen, Villa Merkel, Zero Italien. Azimut/Azimuth, 1959-60 in Mailand. Und heute. Azimut/Azimuth, 1959-60 a Milano. E oggi. Castellani, Dadamaino, Fontana, Manzoni und italienische Künstler im Umkreis/e artisti italiani nell’ambito,1995-1996, p. 138 (another from the edition exhibited, illustrated, p. 208).
Rome, Palazzo delle Esposizioni, Città natura, 1997, p. 252 (another from the edition exhibited, illustrated).
Milan, Palazzo Reale, Piero Manzoni. Milano et mitologia, 1997, p. 78 (another from the edition exhibited, illustrated, p. 98).
Verona, Galleria d’Arte Moderna e Contemporanea Palazzo Forti, Dadaismo Dadaismi. Da Duchamp a Warhol. 300 capolavori, 1997 (another from the edition exhibited).
Los Angeles, The Museum of Contemporary Art at the Geffen Contemporary, Out of Actions. Between Performance and the Object, 1949-1979, 1998, p. 384 (another from the edition exhibited).
London, Serpentine Gallery, Piero Manzoni, 1998, pp. 158-161, 169-171, 173 (another from the edition exhibited and illustrated, p. 287).
Düsseldorf, Kunsthalle Düsseldorf, Das fünte Element – Gelt oder Kunst. Ein fabelhaftes Lexikon zu einer verlorenen Enzyklopädie, 2000, p. 298 (another from the edition exhibited, illustrated).
Milan, Società per le Belle Arti ed Esposizione Permanente, Piero Manzoni. Consumazione dell’arte dinamica del pubblico divorare l’arte. Mostra dossier 8, 2000 (this work exhibited).
Barcelona, Fundació Joan Miró, Ironía, 2001, p. 37 (another from the edition exhibited, illustrated in colour, unpaged).
Milan, Studio Gastaldelli, Piero Manzoni, 2002 (another from the edition exhibited, illustrated).
Salamanca, Centro de Arte de Salamanca, Comer o no comer. O las relaciones del arte con la comida en el siglo XX, 2002-2003, p. 354 (another from the edition exhibited, illustrated).
Naples, MADRE Museo di Arte Contemporanea Donnaregina, Piero Manzoni, 2007, p. 390, no. 222 (this work exhibited, illustrated in colour, p. 231).
Frankfurt, Städel Museum, Piero Manzoni, 2013, p. 256 (others from the edition exhibited, illustrated in colour, pp. 186-188).
Milan, Palazzo Reale, Piero Manzoni 1933-1963, 2014, p. 161, nos. 64-66 (others from the edition exhibited, illustrated in colour, pp. 106-107).
Venice, Museo Guggenheim, Azimut/h. Continuità e nuovo, 2014-2015, p. 245 (another from the edition exhibited, illustrated).
S. Bjarnhof and G. Aagaard Andersen, En sampling i brug. En bog om kunsten på Angli, Snekkersten 1962 (another from the edition illustrated).
T. Del Renzio, U. Agliani Lucas, Piero Manzoni, Milan 1967, p. 59 (another from the edition illustrated).
G. Celant, 'Piero Manzoni: unica dimensione è il tempo', in Metro, Venice 1969, p. 12 (another from the edition illustrated).
G. Celant, 'Piero Manzoni', in Ohne Titel, Cologne 1975, pp. 210-211 (another from the edition illustrated).
F. Battino, L. Palazzoli, Catalogue raisonné, Milan 1991, p. 470, no. 1052/29 (another from the edition illustrated, p. 469).
E. Rossi-Roiss, Dossier Piero Manzoni, Bologna 1991, vol. I, p. 122 (another from the edition illustrated, p. 138).
A. Vettese, 'Idee non deperibili' in Show, vol. III, 1998, no. 10 (another from the edition illustrated, p. 37).
B. Spahn, Piero Manzoni. Seine Herausforderung der Grenze von kunst und Leben, Munich 1999, p. 37 (another from the edition illustrated).
H. Konrad, R. Kriesche, Kunst-Wissenschaft- Kommunikation, Vienna 2000, p. 91 (another from the edition illustrated).
C. Harrison, P. Wood, Visual Art and Politics in France and Italy, Milton Keynes 2001 (another from the edition illustrated).
G. Celant, Piero Manzoni Catalogo generale, Milan 2004, vol. II, p. 510, no. 767/29 (this work illustrated in colour, vol. I, p. 249).
P. Manzoni, Il Diario di Piero Manzoni, Milan 2013, no. 57 (this work illustrated, p. 124).
P. Manzoni, Piero Manzoni. Scritti sull’arte, Milan 2013 (this work illustrated, p. 51).
G. Celant, Su Piero Manzoni, Milan 2014 (this work illustrated, p. 71).
G. Pautasso, Piero Manzoni Divorare l'Arte, Milan 2015, p. 89, no. 57 (this work illustrated).
G. Celant, Arts & Foods, Milan 2015, p. 927, no. 724 (another from the edition illustrated).
C. Kazarian and C. Lévêque-Claudet (eds.), Piero Manzo: Achrome, exh. cat., Musée Cantonal des Beaux-Arts, Lausanne, 2016 (another from the edition illustrated in colour, p. 182).
R. Perna, Piero Manzoni e Roma, Milan 2017, no. 39 (this work illustrated, p. 55).
Piero Manzoni. Lines, exh. cat., Hauser & Wirth, Zurich, 2019, fig. 9 (this work illustrated, p. 36).
this work is number twenty-nine from an edition of at least fifty-one catalogued to this day
