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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Dec 8, 2010 | Sotheby's | London | Old Master & British Paintings Evening Sale | 17 | $****** - ****** | Portrait Of George, Baron Goring (1608-1657) |
paintings
77.5 x 63 cm (30.51 x 24.8 in)
oil on canvas
inscribed, centre left: LORD GORING
Edward Hyde, 1st Earl of Clarendon (1609-1674), at Clarendon House, London
by descent to his son, Henry Hyde, 2nd Earl of Clarendon (1638-1709), at Cornbury Park, Oxfordshire
by descent, at Cornbury, and later The Grove, Hertfordshire, to his nephew, Henry Hyde, 2nd Earl of Rochester and later 4th Earl of Clarendon (1672-1753)
transferred to his son, Henry Hyde, 5th Baron Hyde and Viscount Cornbury (1710-1753), in 1749, who died without issue
by descent to his niece, Charlotte (d.1790), eldest daughter of William Capel, 3rd Earl of Essex (1697-1743), who married Thomas Villiers, 1st Earl of Clarendon (1709-1786), of the second creation
thence by descent to the present owner.
Worcester, City Art Gallery, Exhibition of Paintings from 1642 to 1651, 1951, no. 19; Plymouth, City Museum and Art Gallery, Paintings from the Clarendon Collection, 1954, no. 20; Plymouth City Museum and Art Gallery, on long term loan until 2010
Clarendon State Papers, Bodleian MS Clarendon 92, ff 253-4, no. 23, listed among a group of pictures mended and repaired in about 1683-5, as hanging in the Dining Room at Cornbury Park; Sir W. Musgrave, Lists of Portraits, BM Add. MS 6391, ff. 76-77, no. 40 (listed hanging at The Grove, 1764); G. P. Harding, List of Portraits, Pictures in Various Mansions in the United Kingdom, MS. in NPG, 1804, Vol. II, p. 210; J. Smith, A Catalogue Raisonné of the Works of the Most Emminent Dutch. Flemish and French Painters, 9 Vols., London 1831, no. 613; Lady T. Lewis, Lives of the Friends and Contemporaries of Lord Chancellor Clarendon: illustrative of Portraits in his Gallery, London 1852, Vol. III, pp. 254, 346-8, no. 46; G. F. Waagen, Treasures of Art in Great Britain: Being and Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated MSS., etc. etc., London 1854, Vol. II, p. 458; J. Guiffrey, Antoine van Dyck: sa vie et son oeuvre, Paris 1882, no. 567; L. Cust, Anthony van Dyck: An Historical Study of His Life and Works, London 1900, p. 275; E. Schaeffer, Van Dyck: des Meisters Gemälde, Klassiker der Kunst, Vol. 13, Stuttgart and Leipzig 1909, p. 377; G. Glück, Van Dyck, des Meisters Gemälde, Klassiker der Kunst, no. 13, 2nd rev. ed., Stuttgart 1931, p. 434; D. Piper, Catalogue of Seventeenth Century Portraits in the National Gallery, London 1965, pp. 247; R. Gibson, Catalogue of Portraits in the Collection of the Earl of Clarendon, London 1977, pp. 63-4, 139, no. 69 (illus.); A. Meyer, 'William Musgrave's "Lists of Portraits"', Walpole Society, Vol. LIV, Leeds 1988, pp. 454-502; S. J. Barnes, N. De Poorter, O. Millar, H. Vey, Van Dyck, A Complete Catalogue of His Paintings, London 2004, p. 514, no. IV.107.
