Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Last Sale Date | Title | Edition No. | Last Sale | Last Sale Auction House | Last Sale Location | |
|---|---|---|---|---|---|---|---|
| Nov 19, 2014 | First Man | 1 | Christie's | London | |||
| Nov 12, 2009 | First Man | 3 | Christie's | London | |||
| Jul 3, 2002 | First man | Sotheby's | London | ||||
sculpture
193 cm (75.98 in)
bronze with a dark brown patina
signed and numbered 'Frink 1/3' (on the base)
Acquired direct from the artist by the present owner
London, Tate Gallery, British Sculpture in the Sixties, February - April 1965, no. 38, another cast exhibited. . London, Waddington Galleries, Elisabeth Frink, November - December 1965, no. 5, another cast exhibited. London, Waddington Galleries, Elisabeth Frink: Sculpture and Prints and Drawings from Chaucer, October - November 1972, another cast exhibited. London, Royal Academy, Elisabeth Frink: Sculpture and Drawings 1952-1984, February - March 1985, no. 32, another cast exhibited. . Washington D.C., The National Museum for Women in the Arts, Elisabeth Frink: Sculpture and Drawings 1950-1990, 1990, not numbered, exhibited. . Salisbury, Salisbury Cathedral and Close, Elisabeth Frink, A Certain Unexpectedness: Sculptures, Graphic Works, and Textiles, May - June 1997, no. 24, another cast exhibited: this exhibition travelled to Dorset, County Museum, July - August 1997
F. Laws, The Guardian, 11 December 1965, p. 6. E. Mullins, 'Grown-Up Prodigies', The Sunday Telegraph, 5 December 1965, p. 12. Exhibition catalogue, London, Waddington Galleries, Elisabeth Frink, 1965, no. 5, another cast illustrated. Exhibition catalogue, Elisabeth Frink: Sculpture and Prints and Drawings from Chaucer, London, Waddington Galleries, 1972., n.p., another cast illustrated. E. Mullins, (intro.), The Art of Elisabeth Frink, London, 1972, pls. 62, 63, another cast illustrated. . B. Robertson, Elisabeth Frink Catalogue Raisonné,. Salisbury, 1984, pp. 110, 160, 161, no. 113 , another cast illustrated. . Exhibition catalogue, Elisabeth Frink: Sculpture and Drawings 1952-1984, London, Royal Academy, 1985, no. 32, p. 23, another cast illustrated. . Exhibition catalogue, Elisabeth Frink: Sculpture and Drawings 1950-1990, Washington D.C., The National Museum for Women in the Arts, 1990. p. 64. E. Lucie-Smith and E. Frink, Frink: A Portrait, London, 1994, pp. 68-71, another cast illustrated. . A. Downing, exhibition catalogue, Elisabeth Frink, A Certain Unexpectedness: Sculptures, Graphic Works, Textiles, Salisbury, 1997, p. 69, no. 24, another cast illustrated. S. Gardiner, Frink: The Official Biography of Elisabeth Frink, London, 1998, pp. 132, 174, 186, 194, 222, 223. A. Ratuszniak (ed.), Elisabeth Frink catalogue Raisonné of Sculpture 1947-93, London, 2014, no. FCR 137, pp. 28, 92, another cast illustrated
