Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Last Sale Date | Title | Edition No. | Last Sale | Last Sale Auction House | Last Sale Location | |
|---|---|---|---|---|---|---|---|
| Feb 4, 2009 | Reclining Mother and Child | 4 | Christie's | London | |||
| Nov 13, 2002 | Reclining mother and child | Christie's | New York | ||||
sculpture
89.5 x 230 cm (35.24 x 90.55 in)
bronze with green patina
signed and numbered 'Moore 4/7' (on the top of the base on the right side); stamped with the foundry mark 'Guss: H. Noack Berlin' (on the back side of the base on the right side)
The artist's studio. Redfern Gallery, London. Taft Schreiber, Beverly Hills. Rita and Toby Schreiber, San Francisco, by whom acquired from the above in 1963, and thence by descent;
sale, Christie's, New York, 13 November 2002, lot 20.
Acquired at the above sale by the present owner.
Los Angeles County Museum of Art, Henry Moore in Southern California, October - November 1973.
Marlborough Fine Art Limited, Henry Moore: Recent Work, Life Drawings, London, 1962, no. 79 (another cast illustrated). A. Bowness (ed.), Henry Moore Sculpture and Drawings, Sculpture 1955-1964, vol. 3, London, 1965, no. 480 (another cast illustrated pls. 116-119). H. Read, Henry Moore: A Study of his Life and Work, London, 1965, no. 221, p. 234 (another cast illustrated). H. Moore & J. Hedgecoe, Henry Moore, New York, 1968, nos. 356-357 (another cast illustrated). I. Jianou, Henry Moore, Paris, 1968, no. 458 (another cast illustrated pl. 17). D. Sylvester, Henry Moore, London, 1968, no. 114, figs. 25 (detail), 75, 79-80 (another cast illustrated figs. 25, 75, 79-80). R. Melville, Henry Moore, Sculpture and Drawings 1921-69, London, 1970, no. 619, p. 363 (another cast illustrated). M. Knoedler & Co., Henry Moore, New York, 1970 (another cast illustrated). G.C. Argan, Henry Moore, New York, 1971 (another cast illustrated pls. 163-164). H. J. Seldis, Henry Moore in America, New York, 1973, no. 81, p. 267 (illustrated pp. 91 and 207). G. Shakerley, S. Spender & H. Moore, Henry Moore, Sculptures in Landscape, London, 1978, p. 120 (illustrated pl. 32). J.I. del Marquet, Henry Moore y el Inquietante Infinito, Barcelona, 1979, no. 52 (another cast illustrated). F. Russoli & D. Mitchinson, Henry Moore Sculpture, London, 1981, p. 312, nos. 338-340 (another cast illustrated p. 158). H. Moore & J. Hedgecoe, Henry Moore: My Ideas, Inspiration and Life as an Artist, London, 1986, no. 45 (illustrated p. 201).
