Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Last Sale Date | Title | Edition No. | Last Sale | Last Sale Auction House | Last Sale Location | |
|---|---|---|---|---|---|---|---|
| Mar 6, 2014 | Untitled | 2 | Christie's | New York | |||
photographs
150.5 x 226.7 cm (59.25 x 89.25 in)
cibachrome print
Metro Pictures, New York.
Acquired from the above by the present owner, 1987.
New York, Whitney Museum of American Art, Cindy Sherman, July-October 1987, no. 118 (exhibited and illustrated in color). Scottsdale Center for the Arts, A Museum in the Making, May-August 1995. New York and Bilbao, Solomon R. Guggenheim Museum, Haunted: Contemporary Photography/Video/Performance, March 2010-March 2011, pp. 80-81 (another example exhibited and illustrated in color). Oslo, Astrup Fearnley Museet and Stockholm, Moderna Museet, Cindy Sherman Untitled Horrors, May 2013-January 2014, p. 113 (another example exhibited and illustrated in color).
R. Krauss, Cindy Sherman 1975-1993, New York, 1993, pp. 140-141 (another example illustrated in color). G. Knape, ed., Cindy Sherman, Goteborg, 2000, p. 14 (another example illustrated). J. Burton, Cindy Sherman, The October Files, Boston, 2006, p. 125 (another example illustrated). F. Hall, R. Krauss, Y-A Bois, Benjamin, H. D. Buchloh and D. Joself, eds., Art Since 1990, London, 2012, p. 678 (another example illustrated in color).