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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Oct 15, 2007 | Sotheby's | New York | Photographs | 19 | $****** - ****** | Dunes, Oceano |
photographs
10.3 x 24.4 cm (4.06 x 9.61 in)
gelatin silver print mounted
signed initialed by the photographer in pencil, on the mount l.r.; verso; dated on the mount l.r.; verso; inscribed title, verso; numbered '47SO', by the photographer in pencil, verso
The photographer to Glen Fishback
By descent to the present owner
Other prints of this image: Conger 945 Merle Armitage, Edward Weston: Fifty Photographs (New York, 1947), pl. 13 Nancy Newhall, Edward Weston: The Flame of Recognition (Aperture, 1967), pp. 46-47 Ben Maddow, Edward Weston: Fifty Years (Aperture, 1973), p. 168 Jennifer A. Watts, ed., Edward Weston: A Legacy (Los Angeles: The Huntington Library, 2003, in conjunction with the exhibition), p. 127 James Enyeart, Edward Weston's California Landscapes (Boston, 1984), pl. 15 Kurt Markus, Dune: Edward & Brett Weston (Kalispell, 2003), p. 67 Amy Conger, Edward Weston: The Form of the Nude (London, 2005), p. 119 Judith Hochburg, Sarah Lowe, Michael Mattis, and Dody Weston Thompson, Edward Weston: Life Work (Revere, 2004), pl. 72 Manfred Heiting, ed., Edward Weston (Köln, 2004), p. 147 Therese Mulligan and David Wooters, eds., Photography from 1839 to Today: George Eastman House (Köln, 2000), p. 497 Keith F. Davis, An American Century of Photography, from Dry-Plate to Digital: The Hallmark Photographic Collection (Kansas City, 1999), p. 208 Picturing Modernity: Highlights from the Photography Collection of the San Francisco Museum of Modern Art (San Francisco Museum of Modern Art, 1998, in conjunction with the exhibition), pl. 22 Maria Morris Hambourg and Christopher Phillips, The New Vision: Photography Between the World Wars, Ford Motor Company Collection (The Metropolitan Museum of Art, 1988, in conjunction with the exhibition), pl. 117
