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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
May 14, 2015 | Christie's | New York | Impressionist and Modern Evening Sale Including Property from the John C. Whitehead Collection | 36 | $****** - ****** | Dans la véranda |
paintings
81.2 x 100.2 cm (31.97 x 39.45 in)
oil on canvas
signed 'Berthe Morisot' (lower left)
Boussod, Valadon et Cie., Paris. Ernest Chausson, Paris (acquired from the above, by 1892). Mrs. Ernest Chausson, Paris (by descent from the above, by 1929);
sale, Hôtel Drouot, Paris, 5 June 1936, lot 33.
Private collection, Paris. Galerie Schmit, Paris.
Acquavella Galleries, Inc., New York (acquired from the above, 1983). Acquired from the above by Achim Moeller Fine Art on behalf of John C. Whitehead, 1984
Paris, Galerie Georges Petit, Exposition internationale de peinture, May-June 1887, no. 99. Paris, Boussod, Valadon et Cie., Exposition de tableaux, pastels, et dessins par Berthe Morisot, May-June 1892, no. 7. Brussels, Salon de La Libre Esthéthique, Catalogue de la premie're exposition a' Bruxelles, February-March 1894, no. 320. Paris, Galerie Durand-Ruel et Cie., Berthe Morisot, March 1896, no. 28. Brussels, Salon de La Libre Esthéthique, Exposition Retrospective des Impressionnistes , February-March 1904. Paris, Grand Palais, Salon d ’ Automne, October 1907, no. 144. Pittsburgh, Carnegie Institute and The Cleveland Museum of Art, Exhibition of Paintings: Edouard Manet, Pierre Renoir, Berthe Morisot, October-December 1924, no. 14 (titled In The Sun Porch ). Art Institute of Chicago, Paintings by Berthe Morisot, January-March 1925, no. 7. Paris, Galerie Bernheim-Jeune et Cie., Berthe Morisot, au profit des "Amis du Luxembourg" , May 1929, no. 51 (illustrated). London, M. Knoedler & Co., Inc., Berthe Morisot, May-June 1936, no. 1. Washington, D.C., The National Gallery of Art; Fort Worth, Kimbell Art Museum and South Hadley, Massachusetts, Mount Holyoke College Art Museum, Berthe Morisot: Impressionist , September 1987-May 1988, p. 104, no. 51 (illustrated in color). Montclair, The Montclair Art Museum , Late XIX and Early XX Century French Masters: The John C. Whitehead Collection , April-June 1989, pp. 12 and 32, no. 49 (illustrated in color, p. 13). New York, Achim Moeller Fine Art, The Whitehead Collection: Late 19th and 20th Century French Masters: A Collection in Progress , April-May 1997, pp. 44 and 46, no. 35 (illustrated in color, pp. 45 and 47). Washington, D.C., The Phillips Collection and Boston, Museum of Fine Arts, Impressionist Still Life , September 2001-June 2002, pp. 150-151 (illustrated in color). New York, Achim Moeller Fine Art, From Daumier to Matisse: Selections from the John C. Whitehead Collection , May 2002, pp. 42 and 77-78, no. 6 (illustrated in color, pp. 43 and 77)
P.-A. Renoir, Letter to Berthe Morisot , 25 May 1892. G. Geffroy, "Histoire de l'impressionisme" in La vie artistique , Paris, 1894, vol. 3, pp. 261-267. "Mort de Mme Berthe Morisot" in L'Art Moderne , 10 March 1895, no. 10, pp. 77-78. C. Bienne, "Expositions de l'oeuvre de Berthe Morisot" in La Revue Hebdomadaire: Romans, Historie, Voyages , Paris, March 1896, pp. 465-472. O. Fidière, “ Petites expositions: L’oeuvre de Berthe Morisot” in La Chronique des arts et de la curiosité, supplement à la Gazette des Beaux-Arts, 14 March 1896, no. 11, p. 98. C. Mauclair, "L'Art: hommage posthume à Berthe Morisot chez Durand Ruel" in Mercure de France , April 1896, pp. 157-159. "Chronique de Bruxelles" in Mercure de France , April-June 1904, vol. 50, pp. 256-259. G. Eekhoud, "Le Salon de La Libre Esthèthique" in Revue d'Art: L'Art Flamand & Hollondais , July-December 1904, vol. 2, pp. 1-5. C. Mauclair, Maî tres d ’ hier et d ’ aujourd ’ hui, Paris, 1907, p. 318. L. Rouart, “Berthe Morisot” in Art et Dé coration, May 1908, vol. 9, p. 176. M. Angoulvent, Berthe Morisot , Paris, 1933, pp. 100 and 125, no. 151. "Collection Ernest-Chausson" in Journal Des Debats , 29 May 1936, p. 3. M. Feuillet, "Ventes d'art et curiosité" in Le Journal , 6 June 1936, p. 5. Revue de l'art ancient et moderne , Paris, April 1936, vol. 70. D. Rouart, Correspondance de Berthe Morisot, Paris, 1950, p. 168. D. Rouart, Berthe Morisot. Paris, 1954, no. 34 (illustrated). M.-L. Bataille and G. Wildenstein, Berthe Morisot, Catalogue des peintures, pastels et aquarelles, Paris, 1961, p. 33, no. 160 (illustrated, pl. 57). S. Monneret, L'impressionnisme et son époque: dictionnaire international illustré , Paris, 1978, vol. 1, p. 132. J. Manet, Journal: Sa jeunesse parmi les peintres impressionnistes et les hommes de lettres , Paris, 1979, p. 88. J.D. Rey, Berthe Morisot , New York, 1982, p. 62 (illustrated in color, p. 42). K. Adler, “Berthe Morisot at the National Gallery, Washington, DC,” in Burlington Magazine, vol. 129, no. 87, November 1987, pp. 765-767 (illustrated, p. 766). Achim Moeller Fine Art, ed., Late XIX and Early XX Century French Masters: The John C. Whitehead Collection, A Collection in Progress , New York, 1987, p. 68 (illustrated in color, p. 69). A. Higonnet, Berthe Morisot, une biographie, Paris, 1989, pp. 200 and 220. J.-J. Levêque, Les anné es impressionnistes, Paris, 1990, p. 474 (illustrated in color). S.G. Lindsay, “Berthe Morisot: Nineteenth-Century Woman as Professional” in T.J. Edelstein, ed., Perspectives on Morisot, New York, 1990, pp. 84-85, no. 16 (illustrated in color). C. Berg, F. Durieux and G. Lernout, Le tournant du siècle: Le modernisme et modernité dans la littérature et les arts , Berlin, 1995, p. 447. A. Clairet, D. Montalant and Y. Rouart, Berthe Morisot: Catalogue raisonné de l'oeuvre peint , Montolivet, 1997, p. 193, no. 163 (illustrated; illustrated in color, p. 330). J. Busse and E. Bénézit, Dictionnaire critique et documentaire des peintures, scupteurs, dessinateurs et gravures de tour les temps et de tous les pays , Paris, 1999, p. 859. D. Comerlati, Berthe Morisot: Regards pluriels , exh. cat., Musée de Lodève, Milan, 2006, p. 208. G.M. Thomas, Impressionist Children: Childhood, Family, and Modern Identity in French Art , New Haven, 2010, pp. 11 and 110 (illustrated, p. 111)
