C. Einstein, Die Kunst des 20: Jarhunderts, Berlin, 1928, p. 561, no. 331 (illustrated; titled Drei Frauen).
D. Kosinski, "G.F. Reber: Collector of Cubism" in The Burlington Magazine, vol. 133, no. 1061, August 1991, p. 530 (illustrated in situ in Reber's Château de Béthusy in Lausanne, p. 520; titled Three Women and dated 1921).
G. Bauquier, Fernand Léger: Catalogue raisonné de l'oeuve peint, 1920-1924, Paris, 1992, vol. II, p. 204, no. 317 (illustrated in color, p. 205).
A. Pophanken and F. Billeter, Die Moderne und ihre Sammler: Franzo¨sische Kunst in Deutschem Privatbesitz vom Kaiserreich zur Weimarer Republik, Berlin, 2001, p. 399, no. 4 (illustrated in situ in Reber's Château de Béthusy in Lausanne in 1930, p. 373).
E. Braun and R. Rabinow, Cubism: The Leonard A. Lauder Collection, exh. cat., The Metropolitan Museum of Art, New York, 2014, pp. 217 and 220 (illustrated in color, p. 217, fig. 94).