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| Image | Last Sale Date | Title | Edition No. | Last Sale | Last Sale Auction House | Last Sale Location | |
|---|---|---|---|---|---|---|---|
| Nov 10, 2021 | Untitled | 2 | Christie's | New York | |||
| May 14, 2014 | Untitled | 4 | Sotheby's | New York | |||
photographs
61 x 121.9 cm (24 x 48 in)
chromogenic print
Metro Pictures, New York
Private collection, Connecticut
Simon Lee Gallery, London
Acquired from the above by the present owner
New York, Metro Pictures, Cindy Sherman , November 1981 (another example from the edition exhibited).
San Francisco Museum of Art, Recent Color , September-November 1982, p. 20, cat. no 8 (another example from the edition exhibited).
Amsterdam, Stedelijk Museum; Ghent, Gewad; Bristol, Watershed Gallery; Southampton, John Hansard Gallery; Erlangen, Palais Stutterheim; West Berlin, Haus am Waldsee; Geneva, Centre d'Art Contemporain; Copenhagen, Sonja Henie-Niels Onstadt Foundation; Humlebaek, Louisiana Museum für Moderne Kunst, Cindy Sherman , December 1982-April 1984, n.p., no. 52 (another example from the edition exhibited and illustrated).
St. Louis Art Museum, Currents 20: Cindy Sherman, March-April 1983, cat. no. 93.
Madrid, Fundació Caja de Pensiones, Art and Its Double: A New York Perspective , February-March 1987, p. 111, cat. no. 112 (another example from the edition exhibited and illustrated).
New York, Whitney Museum of American Art, Cindy Sherman , July-October 1987, n.p., pl. 52 (another example from the edition exhibited and illustrated).
Annandale-on-Hudson, Edith C. Blum Art Institute, Bard College, The Figure Speaks, November 1988-January 1989 (another example from the edition exhibited).
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Culture and Commentary: An Eighties Perspective, February-May 1990, p. 110-111 (another example from the edition exhibited and illustrated).
Kunsthalle Basel; Munich, Staatsgalerie Moderner Kunst and London, Whitechapel Art Gallery, Cindy Sherman , March-September 1991, p. 37 (another example from the edition exhibited and illustrated).
Deichtorhallen Hamburg; Malmö Konsthall; Kunstmuseum Luzern, Cindy Sherman: Photoarbeiten 1975-1995 , May 1995-February 1996, n.p., pl. 42 (another example from the edition exhibited and illustrated).
Annandale-on-Hudson, Hessel Museum of Art, Bard College, It’s a She Thing: Representations of Women in the Rivendell Collection , March 1996 (another example from the edition exhibited)
Shiga, Museum of Modern Art and Marugame Genichiro-Inokuma Museum of Contemporary Art, Cindy Sherman, July-December 1996, p. 93, no. 38 (another example from the edition exhibited and illustrated).
Los Angeles, Museum of Contemporary Art; Chicago, Museum of Contemporary Art; Prague, Galerie Rudolfinum; London, Barbican Art Gallery; Ville de Bordeaux, CAPC Musée d'art Contemporain de Bordeaux; Sydney, Museum of Contemporary Art and Toronto, Art Gallery of Ontario, Cindy Sherman Retrospective , November 1998-January 2000, p. 105, pl. 76 (another example from the edition exhibited and illustrated).
Annandale-on-Hudson, Hessel Museum of Art, Bard College, Bodily Acts, May 2001 (another example from the edition exhibited).
Paris, Jeu de Paume; Kunsthaus Bregenz; Humlebaek, Louisiana Museum of Modern Art; Berlin, Martin Gropius- Bau, Cindy Sherman, Retrospective , May 2006-September 2007, pp. 94-95 and 249 (another example from the edition exhibited and illustrated).
New York, Skarstedt Fine Art, Cindy Sherman: Centerfolds 1981 , May-June 2003, pp. 24-25 (another example from the edition exhibited and illustrated).
Southampton, Parrish Art Museum, All the More Real: Portrayals of Intimacy and Empathy , August-October 2007, pp. 120-121 (another example from the edition exhibited and illustrated).
New York, Skarstedt Gallery, Self-Portraits , July-September 2009 (another example from the edition exhibited).
Miami, The Sender Collection, Home Alone , November-December 2011 (another example from the edition exhibited).
Greenwich, Bruce Museum, Cindy Sherman: Works from the Friends of the Bruce Museum, January-April 2011, pp. 60-61 (another example from the edition exhibited and illustrated).
New York, Museum of Modern Art; San Francisco Museum of Modern Art; Minneapolis, Walker Art Center; Dallas
Museum of Art, Cindy Sherman , February 2012-June 2013, p. 139 (another example from the edition exhibited).
Oslo, Astrup Fearnley Museet; Stockholm, Moderna Museet and Kunsthaus Zu¨rich, Cindy Sherman-Untitled Horrors, May 2013-September 2014, p. 64 (another example from the edition exhibited and illustrated).
New York, Mnuchin Gallery, Cindy Sherman: Once Upon a Time, 1981-2011 , April-June 2017, n.p. (another example from the edition exhibited and illustrated).
Oslo, Astrup Fearnley Museet, Cindy Sherman - Verk fra Astrup Fearnley Samlingen / Works from the Astrup Fearnley Collection , January-February 2018, pp. 17 and n.p. (another example from the edition exhibited and illustrated).
Annandale-on-Hudson, Hessel Museum of Art, Bard College, Acting Out , June-October 2019 (another example from the edition exhibited).
London, National Portrait Gallery and Vancouver Art Gallery, Cindy Sherman, June 2019-March 2020 (another example from the edition exhibited).
Paris, Fondation Louis Vuitton, Cindy Sherman , September 2020-January 2021, p. 97 (illustrated).
P. Schjeldahl, Cindy Sherman , New York, 1984, pl. 52 (illustrated).
I. Takano and L. Simmons, Cindy Sherman, Tokyo, 1987, p. 40 (illustrated).
K. Larson, "Who's That Girl," New York Magazine , 3 August 1987, p. 52 (illustrated).
S.Weiley, "150 Years of Photography," Artnews , vol. 88, no. 4, April 1989, p. 150 (illustrated).
R. Krauss and N. Bryson, Cindy Sherman: 1975-1993 , New York, 1993, pp. 84-85 (illustrated).
C. Morris, The Essential Cindy Sherman , New York, 1999, p. 60 (illustrated).
E. Heartney, "Cindy Sherman: The Polemics of Play," After the Revolution: Women Who Transformed Art , New York, 2013, p. 186.
P. Moorehouse, Cindy Sherman, London, 2014, p. 69, no. 58 (illustrated).
CINDY SHERMAN (B. 1954)
Untitled
chromogenic print
24 x 48 in. (61 x 121.9 cm.)
Executed in 1981. This work is number two from an edition of ten plus two artist's proofs.
