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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jul 8, 2009 | Sotheby's | London | Old Master Paintings Evening Sale | 37 | $****** - ****** | Venice, The Ridotto At Palazzo Dandolo, With Masked Figures Dancing And Conversing |
paintings
84.8 x 107 cm (33.39 x 42.13 in)
oil on canvas
Collection of Jules Duclos, Paris
His sale, 23 December 1878, lot 17 (as by Pietro Longhi), to Groult
Collection of Camille Groult, Paris
His sale, Paris, Galerie Charpentier, 21 March 1952, lot 97 (as by D. Tiepolo)
Private collection, Paris, by 1952 until at least 1967
With Galerie Cailleux, Paris, by 1974
Acquired shortly thereafter by the present owner.
Paris, Galerie Cailleux, Tiepolo et Guardi, 1952, no. 117 (as Antonio Guardi); Zurich, Kunsthaus, Schönheit des 18. Jahrhunderts., 1955, no. 153 (as Antonio Guardi).
Dr. H. Mireur, Dictionnaire des Ventes d'Art., vol IV, Paris 1911, p. 357; Tiepolo et Guardi, exhibition catalogue, Paris 1952, pp. 71-73, no. 117; "Le Carneval de Venise", in Connaissance des Arts, no. 13, March 1953, p. 63, reproduced (as Antonio Guardi); A. Morassi, "Novità su Francesco Guardi", in Arte Veneta, 1959-60, p. 167 (as Francesco Guardi); T. Pignatti, Il Museo Correr di Venezia, dipinti del XVII e XVIII secolo, Venice 1960, p. 97 (Antonio Guardi); J. Cailleux, "Les Guardi e Pietro Longhi", in Problemi guardeschi, Venice 1967, p. 53, reproduced fig. 153 (summarises attributional problem, as a late work by Antonio Guardi); A. Morassi, Guardi. Antonio e Francesco Guardi, vol. I, Venice 1973, p. 352, cat. no. 235, reproduced vol. II, fig, 256 (illustration switched with fig. 257; as by Francesco Guardi); L.R. Bortolatto et al., L'opera completa di Francesco Guardi, Milan 1974, p. 92, no. 56 (the reproduction for no. 57 wrongly labelled as no. 56; as by Francesco Guardi).
