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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 13, 2015 | Christie's | New York | Eve. Impressionist and Modern Evening Sale | 5C | $****** - ****** | Les coteaux de Chou, Pontoise | |||
Nov 8, 1999 | Christie's | New York | Impressionist & Post Impressionist Art | 125 | $****** - ****** | Sente et coteaux d'Auvers |
paintings
60.3 x 73.7 cm (23.75 x 29 in)
oil on canvas
Galerie Durand-Ruel et Cie., Paris and New York (acquired from the artist, before 1891 and until 1957).
Mr. and Mrs. Neil A. McConnell, New York (circa 1968).
Acquavella Galleries, Inc., New York (acquired from the above, June 1988).
Private collection, Tokyo (acquired from the above, November 1988).
Anon. (by 1994); sale, Christie’s, New York, 8 November 1999, lot 125.
Acquired at the above sale by the present owner.
Paris, Galerie Durand-Ruel et Cie., Tableaux de Monet, Pissarro, Renoir et Sisley, April-May 1899, no. 47 (titled Environs de Pontoise).
London, Grafton Galleries, Exhibition of L’Art Nouveau S. Bing, Paris, May-July 1899.
London, Hanover Gallery, Pictures by French Impressionists: Monet, Sisley, Pissarro, Renoir and other Masters, January-February 1901, p. 12, no. 36.
Frankfurt, Galerie Marie Held, 1910.
Zürich, Kunstsalon Wolfsberg, Gemälde-Ausstellung: Französischer Meister, July-August, 1912.
Winterthur, Kunstmuseum, Französischer Malerei, October-November 1916, no. 113 (possibly).
New York, Durand-Ruel Galleries, Paintings by Camille Pissarro, December 1923, no. 4 (titled Environs de Pontoise).
Columbus, Ohio, The Columbus Gallery of Fine Arts, Paintings by Modern French Masters, June 1924, no. 30.
Paris, Galerie Durand-Ruel et Cie., Pissarro, June-September 1956, no. 45 (titled Sente et coteaux d'Auvers).
Bern, Kunstmuseum, Camille Pissarro, January-March 1957, p. 14, no. 60 (titled Sente et coteaux d'Auvers).
Berlin, Staatliche Museen, Nationalgalerie in der Orangerie des Schlosses Charlottenburg, Die Ile de France und ihre Maler, September-November 1963, no. 22.
New York, Acquavella Galleries, Inc., Four Masters of Impressionism, October-November 1968, p. 33, no. 31 (illustrated in color; titled Sente et coteaux d'Auvers).
New York, Acquavella Galleries, Inc., XIXth and XXth Century Master Paintings and Sculptures, November-December 1988, p. 12, no. 4 (illustrated in color, p. 13).
New York, The Museum of Modern Art; Los Angeles County Museum of Art and Paris, Musée d’Orsay, Pioneering Modern Painting: Cézanne & Pissarro, 1865-1885, June 2005-May 2006, p. 201, no. 97 (illustrated in color).
Milwaukee Art Museum (on loan, 2007-2015).
L.R. Pissarro and L. Venturi, Camille Pissarro, son art–son oeuvre, Paris, 1939, vol. I, p. 160, no. 560 (illustrated, vol. II, pl. 115; titled Sente et coteaux d'Auvers).<br>T. Reff, ”Cézanne’s Constructive Stroke” in Art Quarterly, autumn 1962, vol. 25, no. 3, pp. 214-217.<br>L. Reidemeister, Auf den Spuren der Maler der Ile de France, Berlin, 1963, p. 72 (illustrated).<br>B.E. White, Impressionists Side by Side, New York, 1996, p. 139 (illustrated in color; titled Paths and Slopes of Auvers).<br>R.R. Bretell and A.-B. Fonsmark, Gauguin and Impressionism, exh. cat., Kimbell Art Museum, Fort Worth, 2005, p. 179 (illustrated, fig. 139; titled Path and Slopes, Auvers).<br>J. Pissarro and C. Durand-Ruel Snollaerts, Pissarro: Catalogue critique des peintures, Paris, 2005, vol. II, p. 451, no. 673 (illustrated in color).
