Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 3, 2010 | Christie's | New York | Impressionist and Modern Evening Sale | 32 | $****** - ****** | Maternité ou Femme allaitant son enfant (Madame Renoir et son fils Pierre) |
paintings
81 x 65 cm (31.89 x 25.59 in)
oil on canvas
signed 'Renoir' (lower right)
M. Jacotte, Limoges. Galerie Durand-Ruel et Cie., Paris (acquired from the above, 6 December 1905). Adrien Hébrard, Paris (acquired from the above, 2 March 1906). Ambroise Vollard, Paris. Prince de Wagram, Paris. M. Knoedler & Co., Inc., New York (1929). Chester Beatty, London (by 1933). Arthur Tooth & Sons, Ltd., London. Sam Salz, New York (acquired from the above, 12 November 1961). M. Knoedler & Co., Inc., New York. Acquavella Gallery, Inc., New York (by 1971). Norton Simon Foundation, Pasadena (1973).
Anon. sale, Sotheby's Parke Bernet, New York, 20 October 1976, lot 15.
Marlborough Gallery, New York.
Anon. sale, Sotheby's, New York, 10 May 1988, lot 23.
Acquired by the present owner, 1998.
New York, M. Knoedler & Co., Inc., The Classical Period of Renoir, 1875-1886, November 1929, no. XI (illustrated, pl. 11). London, The Lefevre Gallery (Alex. Reid & Lefevre, Ltd.), Renoir and the Post-Impressionists, June 1930, no. 4. Paris, Musée de l'Orangerie, Exposition Renoir, 1933, no. 80. London, The Lefevre Gallery (Alex. Reid & Lefevre, Ltd.), Renoir, June 1948, no. 12. The Art Institute of Chicago, Paintings by Renoir, February-April 1973, no. 52 (illustrated).
J. Meier-Graefe, Renoir, Paris, 1912, p. 134 (illustrated, p. 135). G. Coquiot, Renoir, Paris, 1925, p. 228. J. Meier-Graefe, Renoir, Leipzig, 1929, p. 247, no. 187, (illustrated). A.C. Barnes and V. de Mazia, The Art of Renoir, New York, 1935, p. 287, no. 162 (illustrated). C. Roger-Marx, Renoir, Paris, 1937, p. 116 (illustrated, p. 109). M. Drucker, Renoir, Paris, 1944, pl. 78 (illustrated). J.-L. Vaudoyer, Renoir, Paris, 1953, pl. 21 (illustrated). F. Daulte, "Renoir, son oeuvre regard sous l'angle d'un album de famille," in Connaissance des Arts, November 1964, p. 76 (illustrated, pl. 10). F. Daulte, Auguste Renoir, Catalogue raisonné de l'oeuvre peint, Lausanne, 1971, vol. I, no. 496 (illustrated). B.E. White, Renoir, His Life, Art and Letters, New York, 1984, p. 160 (illustrated in color). G.-P. and M. Dauberville, Renoir, Catalogue raisonné des tableaux, pastels, dessins et aquarelles, Paris, 2009, vol. II, p. 178, no. 971 (illustrated, p. 179).
