W. George, L'amour de l'art, Paris, 1926, p. 189 (illustrated). C. Zervos, Picasso, oeuvres 1920-1926, Paris, 1926 (illustrated, pl. 23). J. Cassou, Picasso, New York, 1940 (illustrated, pl. 131). M. Gieure, Initiation àl'oeuvre de Picasso, Paris, 1951, no. 66 (illustrated; titled L'Epuisette). C. Zervos, Pablo Picasso, Paris, 1952, vol. 5, no. 459 (illustrated, pl. 184). W. Boeck and J. Sabartés, Picasso, New York, 1955, p.468, no. 117 (illustrated). F. Elgar and R. Maillard, Picasso, Paris, 1955, p. 129 (illustrated in color, p. 128). A.H. Barr, Jr., Picasso: Fifty Years of His Art, exh. cat., The Museum of Modern Art, New York, 1974, p. 136 (illustrated). P. O'Brian, Picasso: A Biography, New York, 1976, p. 273. V. and M. Langen, Kunst des 20ten Jahrhunderts: Sammlung Viktor u. Marianne Langen, Ascona, 1986, vol. I, p. 75 (illustrated in color, p. 76). G. Stavitsky, The A.E. Gallatin Collection: An Early Adventure in Modern Art, exh. cat., Philadephia Museum of Art, 1994, p. 12 (illustrated in situ in the 1927 opening installation of Gallatin's Gallery of Living Art). The Picasso Project, ed., Picasso's Paintings, Watercolors, Drawings and Sculpture: Toward Surrealism, 1925-1929, San Francisco, 1996, p. 33, no. 25-101 (illustrated). J. Palau i Fabre, Picasso: From the Ballets to Drama, 1917-1926, Cologne, 1999, pp. 452 and 522, no. 1604 (illustrated, p. 452). B. Léal, C. Piot and M.-L. Bernadac, The Ultimate Picasso, New York, 2000, pp. 229 and 231 (illustrated in color, p. 230, fig. 545). J. Richardson, A Life of Picasso: The Triumphant Years, 1917-1932, New York, 2007, p. 296 and p. 538, note 54. T. Bezzola, Picasso: His First Museum Exhibition 1932, exh. cat., Kunsthaus Zürich, 2010, p. 236 (illustrated in color; illustrated again in situ in the 1932 Kunsthaus Zürich exhibition, p. 22).