C. Sedelmeyer, Illustrated catalogue of 100 paintings of Old Masters... belonging to the Sedelmeyer Gallery , Paris 1894, p. 48, no. 38;
M. Rooses, ‘Œuvres de Rubens, Addenda", in Bulletin-Rubens , vol. V, Antwerp 1897-1910, pp. 70-71, and 336, no. 401;
E.C. Siter, Catalogue of the Collection of Pictures by the Old Masters , Philadelphia 1904, no. 33, reproduced pl. 7;
A. Rosenberg (ed.), P.P. Rubens. Des Meisters Gemälde. Klassiker der Kunst , vol. V, Stuttgart and Leipzig 1905, pp. 463 and 488, reproduced p. 2 (as Rubens, with incorrect provenance, datable to circa 1601/1604);
W. von Bode, ‘Kritik und Chronologie der Gemälde von Peter Paul Rubens", in Zeitschrift für bildende Kunst , vol. XVI, 1905, p. 201 (as Rubens, painted in Venice or shortly after, in Mantua, i.e. circa 1600/1601);
W.R. Valentiner, ‘Gemälde des Rubens in Amerika", in Zeitschrift für bildende Kunst , vol. XXIII, 1912, p. 182 (as Rubens, datable to circa 1604);
R. Oldenbourg (ed.), P.P. Rubens. Des Meisters Gemälde. Klassiker der Kunst , 4 th ed., Berlin and Leipzig 1921, pp. 440 and 472, reproduced (as studio, neither executed nor designed by Rubens, datable to 1615);
G. Glück, Rubens, Van Dyck und ihr Kreis , Vienna 1933, p. 156, no. 2 (as Rubens, datable to circa 1612);
L. Burchard, ‘Nachträge", in Rubens, Van Dyck und ihr Kreis , G. Glück (ed.), Vienna 1933, pp. 376 and 391 (citing Oldenbourg"s opinion);
H. Vlieghe, Corpus Rubenianum Ludwig Burchard. Part VIII: Saints , vol. I, London and New York 1972, pp. 118-119, no. 76, reproduced fig. 131 (as ‘for the most part executed by Rubens"s studio"); vol. II, London and New York 1973, under ‘Addenda and Corrigenda to Part VIII, Volume I", p. 179, no. 76 (as ‘entirely by Rubens"s own hand");
D.W. Steadman, in Rubens before 1620 , J.R. Martin (ed.), exh. cat. Princeton 1972, p. 154, under no. 5;
W. Stechow, Catalogue of Drawings and Watercolors in the Allen Memorial Art Museum, Oberlin College , Oberlin 1976, p. 61, under no. 290 (as most probably by Rubens);
J.S. Held, The Oil Sketches of Peter Paul Rubens: A Critical Catalogue , Princeton 1980, vol. I, p. 506, under no. 369 (as a studio version);
C. Wright, A Golden Age of Painting: Dutch, Flemish, German Paintings, Sixteenth-Seventeenth Centuries, from the Collection of the Sarah Campbell Blaffer Foundation , San Antonio 1981, p. 64, no. 31, reproduced in colour p. 65 (as Rubens);
D. Bodart, Rubens , Milan 1985, p. 163, no. 252 (as Rubens);
M. Jaffé, Rubens: Catalogo Completo , Milan 1989, p. 181, no. 177, reproduced (as by Rubens, datable to 1612-13);
E. McGrath, Subjects from history , in Corpus Rubenianum Ludwig Burchard, Part XIII, 1 , London 1997, vol. II, p. 162, under no. 33 (as Rubens).