Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jul 10, 2014 | Sotheby's | London | Old Master & British Paintings Day Sale | 169 | $****** - ****** | Portrait of a Man with a gloved Hand |
paintings
107.8 x 87.8 cm (42.44 x 34.57 in)
oil on canvas
inventory number 24 etched into the reverse
George Greville, 2nd Earl of Warwick (1746–1816), by 1800
Thence by descent.
Leeds, National Exhibition of Works of Art, 1868;; London, Grosvenor Gallery, Exhibition of the Works of Sir Anthony van Dyck, 1887, no.116;; London, Guildhall, Loan Exhibition, 1892, no.111;; New York, Metropolitan Museum of Art, on long term loan.
Anon., 'Pictures and Articles of Curiosity', in Inventory of the Contents of Warwick Castle,(Warwickshire Record Office CR1886/466), ms., circa 1800, n.p., hanging in the Little Dining Parlour;; Anon., Inventory of the Contents of Warwick Castle, ms., 1806, in the Little Dining Room;; W. Field, An Historical and Descriptive Account of Leamington Spa, Warwick 1815, pp. 210, 214 ('Count Gondomar - by Valasquez de Silva [sic]'), in the Breakfast room, opposite the fireplace - right side;; S. Woodburne, Notes on the Paintings at Warwick Castle, 1832, no. 35 (‘not Gondomar but a true Van Dyck – of a Fleming I think’), in the First Drawing Room;; H. T. Cooke, An Historical and Descriptive Guide to Warwick Castle…, Warwick 1847, p. 77 (‘A very fine Flemish portrait, by VanDyck;. This painting has by many been supposed to have been painted by Velasques (sic)’), in the Breakfast Room;; Cooper’s, History of Warwick and Guide to the Castle, illustrated, 1850, p.107;; G. Waagen, Treasures of Art in Great Britain, vol. III, London 1854, vol. III, p. 212;; F. E. Warwick, ‘Warwick Castle’, in The Pall Mall Magazine, vol. XI, January – April 1897, p. 40 (‘Diego Sarmineto de Acuna, Conde di Gondomar (Spanish Ambassador at the Court of James I) by Van Dyck’), in the Chapel Passage;; Anon., mss. 1900, in the Billiard Room Passage (mentioned as being described at the castle as by Velazquez);; Anon., Inventory of the contents of Warwick Castle, 1959, p. 35, in the Red Drawing Room;; E. Larsen, The Paintings of Anthony van Dyck, Freren 1988, p.131, no.319 (as Van Dyck);; S. J Barnes et al., Van Dyck, A Complete Catalogue of the Paintings, London 2004, p. 218, under no.II.84 (as a good copy).
