The Hague, Haagsche Kunstring, Cercle Artistique, 1893
Berlin, Paul Cassirer, XI. Jahrgang VI. Ausstellung, 1909, no. 7
Frankfurt, Frankfurter Kunstverein, Die klassische Malerei Frankreichs im 19. Jahrhundert, 1912, no. 77
Chicago, Auditorium Hotel, Tableaux Durand-Ruel, 1915
Saint-Louis, Noonan-Kocian Art Gallery, Tableaux Durand-Ruel, 1925
New York, Durand-Ruel Gallery, R�trospective Cl. Monet, 1927, no. 2
Philadelphia, The Art Club, Memorial Exhibition of the Works of Cl. Monet, 1927, no. 2
Amsterdam, Stedelijk Museum, Vincent van Gogh en Zijn Tijdgenooten, 1930, no. 219
Glasgow, Royal Glasgow Institute, 1933, no. 383
London, Alex. Reid & Lefevre, French Painting of the 19th Century: Ingres to C�zanne, 1933, no. 26 (as dating from 1870)
Ottawa, National Gallery of Canada; Toronto, Art Gallery & Montreal, Montreal Art Association,�French Painting in the 19th Century, 1934, no. 77
Glasgow, Alex. Reid & Lefevre, French Art of the 19th and 20th Centuries, 1937, no. 38 (as dating from 1870)
London, Alex. Reid & Lefevre, French Masters of the 19th Century, 1937, no. 24 (as dating from 1870)
London, National Gallery, Nineteenth Century French Painting, 1942-43, no. 13 (as dating from circa 1870)
Venice, Gli Impressionisti alla XXIV Biennale di Venezia, 1948, no. 3, illustrated in the catalogue
Cardiff, National Museum of Wales, How Impressionism Began, 1960, no. 39, illustrated in the catalogue
St. Helier, La Soci�t� Jersiaise, Centenary Art Exhibition, 1973, no. 7
Amsterdam, Rijksmuseum, Vincent van Gogh Museum, Monet in Holland, 1986-87, no. 22, illustrated in colour in the catalogue (titled The Mill)
Treviso, Casa dei Carraresi, Monet. I luoghi della pittura, 2001-02, no. 6, illustrated in colour in the catalogueLiterature
Georges Grappe, Claude Monet, Paris, 1909, illustrated p. 30
Erich Hancke,