Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
May 16, 2018 | Christie's | New York | Impressionist and Modern Art Works on Paper | 130 | $****** - ****** | Dompteuse |
Works on Paper
64.5 x 47.9 cm (25.38 x 18.88 in)
watercolor, brush and India ink and pencil on paper
signed and dated 'DIX 22' (lower right), titled and numbered 'Dompteuse II' (on the reverse)
Galerie für Moderne Kunst, Hanover (by 1957).
Galerie Meta Nierendorf, Berlin (by 1959).
Galerie Nierendorf, Berlin (acquired from the above, 1963).
Galleria del Levante, Munich.
Anon. sale, Ketterer Kunst, Munich, 6 June 1994, lot 61.
Marvin and Janet Fishman, Milwaukee (acquired at the above sale); sale, Sotheby’s, London, 8 February 2005, lot 23.
Acquired at the above sale by the present owner.
Berlin, Kronprinzenpalais, Dix-Aquarellausstellung, 1924.
Hanover, Galerie für moderne Kunst, Otto Dix, October-November 1957, no. 12.
Berlin, Galerie Meta Nierendorf, Klassiker der Jungen Kunst, June-September 1959, no. 17.
Kunstmuseum Düsseldorf, Otto Dix: Gemälde, Aquarelle, Zeichnungen, Druckgraphik, September-October 1960, p. 30, no. 124 (illustrated).
Berlin, Galerie Meta Nierendorf, Otto Dix: Bilder, Aquarelle, Zeichnungen, das Graphische Gesamtwerk, 1913-1960, January-April 1961, p. 8, no. 18 (illustrated).
Darmstadt, Hessischen Landesmuseum, Otto Dix: Gemälde, Handzeichnungen, Aquarelle, June-August 1962, no. 76 (illustrated).
Kongresshalle Berlin, Otto Dix: Ölgemälde 1913-1963, Aquarelle, Das graphische Werk, October 1963, no. 102 (illustrated).
Milan, Galleria del Levante, Otto Dix: personale retrospettiva, May-June 1964, no. 18 (illustrated).
The Hague, Museum Paleis Lange Voorhout; Brussels, Palais des Beaux-Arts; Stockholm, Liljevalchs Konsthall and Helsinki, Helsingin Taidehalli, Art et Résistance: Les peintres allemands de l’entre-deux-guerres, July 1995-August 1996, p. 220, no. 24 (illustrated in color, p. 63).
Milwaukee Art Museum, Making Marks: Drawing in the 20th Century from Picasso to Kiefer, June-August 1998, p. 66, no. 35 (illustrated, p. 28).
B.S. Barton, Otto Dix and Die neue Sachlichkeit, 1918-1925, Ann Arbor, 1981, pp. 40-41 and 142, no. 63.
S. Pfäffle, Otto Dix: Werkverzeichnis der Aquarelle und Gouachen, Stuttgart, 1991, p. 154, no. A 1922/35 (illustrated).
G. Gilsoul, “Mentir vrai,” Le Vif: L’Express, vol. 23, no. 2344, 7 June 1996, p. 86 (illustrated in color).
signed and dated 'DIX 22' (lower right); titled and numbered 'Dompteuse II' (on the reverse)
watercolor, brush and India ink and pencil on paper
25 3/8 x 18 7/8 in. (64.2 x 47.8 cm.)
Executed in 1922
