In 1921, at the 14th Salon d'Automne in Paris, Fujita was in the limelight with his unique" milky skin "and the" black line "that was praised as magically beautiful that Westerners had never seen. He suddenly became famous in Paris. From the 1920s to the 1930s, when this work was drawn, it was the heyday of Fujita in the School of Paris, and the contours of the face and body, fingertips, eyes, and hair were all drawn with smooth, uninterrupted lines. Fujita is a painter who studied lines throughout his life and continued to stick to them. Powerful lines drawn with ink, lines flowing softly on paper with light ink are his charateristic. Many Japanese artists left the line drawing after the war and left behind works of color and abstract, but Fujita consistently sticks to line drawing. He continued to bring out the beauty of delicate line drawings in France. The outstanding technique of drawing lines with a Japanese brush attracted the interest of Picasso and Modigliani, who were active in Paris at the same time. They stayed at Fujita's solo exhibition venue for a long time, observing the artist's drawing in detail. Fujita has left the following words regarding the lines he draws. "My hope is to draw it intuitively by being alone with the object and myself before drawing. In other words, the line created from intuition is more accurate and infinite than the line that was thought as corrected. And I think there are many more things that appeal to the viewer. "