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| Image | Last Sale Date | Title | Edition No. | Last Sale | Last Sale Auction House | Last Sale Location | |
|---|---|---|---|---|---|---|---|
| Nov 11, 2014 | UNTITLED (MONUMENT FOR V. TATLIN) | 3 | Sotheby's | New York | |||
sculpture
243.8 x 50.8 cm (95.98 x 20 in)
cool white fluorescent light
PaceWildenstein, New York
Sotheby's, New York, May 9, 2009, Lot 28
Acquired by the present owner from the above
Los Angeles, MoCA Temporary Contemporary; Washington, D. C., Corcoran Gallery of Art; Bordeaux, CAPC, Musée d'art contemporain; Otterlo, Rijksmuseum Kröller-Müller, 'monument' for V. Tatlin from Dan Flavin, 1964-1983, April 1984 - January 1986, pl. 45, illustrated (edition no. unknown)
Basel, Galerie Beyeler, Traum vom Absoluten/Dream of the Absolute, June - September 1994, p. 53, illustrated in color (titled Untitled (Monument 1 for V. Tatlin)) (edition no. unknown)
New York, Barbara Gladstone Gallery, Luciano Fabro, Dan Flavin, Mario Merz, Pino Pascali, September - October 1995 (edition no. unknown)
New York, Barbara Gladstone Gallery, Sculpture, February - March 2003 (edition no. unknown)
New York, PaceWildenstein, Summer Travels, July - September 2003 (the present example)
New York, PaceWildenstein, Logical Conclusions: 40 Years of Rule-Based Art, February - March 2005, p. 45, illustrated (the present example)
East Hampton, Guild Hall, Dan Flavin: An Intimate View, June - July 2007 (the present example)
New York, Barbara Gladstone Gallery, Carl Andre, Dan Flavin, Sol Lewitt, Richard Long, Mario Merz, September - October 2010
Exh. Cat., Lausanne, FAE Musée d'art contemporain, Selection: oeuvres de la collection, 1991, p. 61, illustrated in color (titled Untitled (Monument 1 for V. Tatlin)) (another example)
Exh. Cat., Washington, D.C., The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, The Hirshhorn Collects: Recent Acquisitions, 1992-1996, 1997, cat. no. 47, p. 36, illustrated (another example)
Exh. Cat., Rio de Janeiro, Centro Cultural Light, Dan Flavin, 1998, p. 16, illustrated (the present example)
Michael Govan and Tiffany Bell, Dan Flavin: the Complete Lights, 1961-1996, New Haven and London, 2004, cat. no. 142, p. 262, illustrated (artist's diagram)
David Cohen, "Arts & Letters - Gallery Going: When the Rule Ruled," New York Sun, March 3, 2005, p. 19 (the present example)
Jane Harris, "The ruling class: Seeking the poetic potential of neutral signs," New York Village Voice, March 16-22, 2005, p. 8 (Voices Choices), illustrated (the present example)
Holland Cotter, "Art in Review: 'Logical Conclusions,'" The New York Times, March 18, 2005, p. E42, illustrated (the present example)
