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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
May 18, 2018 | Christie's | New York | Post-War and Contemporary Art Evening Sale | 44B | $****** - ****** | Away from the Flock |
sculpture
97.8 x 148.6 x 50.8 cm (38.5 x 58.5 x 20 in)
glass, painted steel, silicone, acrylic, plastic, lamb and formaldehyde solution
The artist
White Cube, London
Acquired from the above by the present owner
London, Serpentine Gallery; Helsinki, Nordic Arts Centre; Chicago, Museum of Contemporary Art; Copenhagen, Portalen, Some Went Mad, Some Ran Away..., May 1994-June 1995, n.p. (another example exhibited and illustrated in color).
London, Royal Academy of the Arts; Berlin, Hamburger Bahnhof; New York, Brooklyn Museum, Sensation: Young British Artists from the Saatchi Collection, September 1997-January 2000, pp. 98 and 216, no. 37 (another example exhibited and illustrated in color).
Naples, Museo Archeologico Nazionale, Damien Hirst: The Agony and the Ecstasy, Selected Works from 1989-2004, October 2004-January 2005, pp. 134-137 and 255 (another example exhibited and illustrated in color).
Moscow Museum of Art, Turner Prize: A Retrospective, February-March 2008 (another example exhibited).
Kiev, PinchukArtCentre, Damien Hirst: Requiem, April-September 2009, vol. 1, pp. 174-175 (illustrated in color).
Doha, Al Riwaq, Qatar Museums Authority, Relics, October 2013-January 2014, pp. 74-77 and 294 (illustrated in color).
G. Burn, D. Hirst and S. Morgan, Damien Hirst: I want to spend the rest of my life everywhere, with everyone, one to one, always, forever, now, London, 1997, pp. 161, 172, 293-297 (other examples illustrated in color and installation views illustrated in color).
G. Burn and D. Hirst, On the Way to Work, London, 2001, pp. 84-85 and 170 (other examples illustrated in color and installation view of another example illustrated in color).
D. Hirst, Damien Hirst: Pictures from The Saatchi Gallery, London, 2001, pp. 16-19 (another example illustrated in color).
E. Booth-Clibborn, et al., The History of the Saatchi Gallery, London, 2011, p. 310 (another example illustrated in color).
A. d'Offay, et al., Artist Rooms: The First Five Years, London, 2015, pp. 54-55 (installation view of another example illustrated in color).
This work is the artist's proof from an edition of three unique variants plus one artist's proof.
