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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jun 1, 2016 | Dorotheum | Vienna | Contemporary Art, Part I | 659 | $****** - ****** | A Settori |
paintings
120 x 140 cm (47.24 x 55.12 in)
casein on canvas
signed and dated Accardi '62; signed, titled, numbered and dated Accardi, no. 316, 1962, on the reverse
Artist�s Collection, Rome, Galleria Fumagalli, Bergamo, European Private Collection, Exhibited:, Venice, XXXII Biennale Internazionale d�Arte, 20 June � 18 October 1964, Paris, Galerie Stadler, Accardi 1955 � 1964, 16 March � 17 April 1965, exh. cat. p. 4
, Ludwigshafen, Kunstverein, 7 September � 22 October 1995, Wolfsburg, St�dtische Galerie, Istituto Italiano di Cultura, 4 February � 8 April 1996, exh. cat. p. 37 with ill., Acireale, (Catania), Galleria del Credito Siciliano, Sicilia!, 29 July � 30 September 2006 (label on the reverse)
, Venice, XXXII Biennale Internazionale d�Arte, 20 June � 18 October 1964, Paris, Galerie Stadler, Accardi 1955 � 1964, 16 March � 17 April 1965, exh. cat. p. 4;, Ludwigshafen, Kunstverein, 7 September � 22 October 1995, Wolfsburg, St�dtische Galerie, Istituto Italiano di Cultura, 4 February � 8 April 1996, exh. cat. p. 37 with ill., Acireale, (Catania), Galleria del Credito Siciliano, Sicilia!, 29 July � 30 September 2006 (label on the reverse)
Germano Celant, Germano Celant, Carla Accardi, Carla Accardi, Charta, Charta, Milan 1999, Milan 1999, p. 68 with colour ill., p. 68 with colour ill., p. 281, p. 281, no. 1962 5 with ill., no. 1962 5 with ill., In the 1960s the relationship between the line and colour in her works became richer with luminescent tones: she began to use warmer colours, In the 1960s the relationship between the line and colour in her works became richer with luminescent tones: she began to use warmer colours, juxtaposing them for contrast and trialling new combinations which were so delicate on her canvases that they appeared extremely natural., juxtaposing them for contrast and trialling new combinations which were so delicate on her canvases that they appeared extremely natural., �More than colours, �More than colours, what I�ve always loved are their combinations and the radiance that comes from them. [�] When I used red and green, what I�ve always loved are their combinations and the radiance that comes from them. [�] When I used red and green, or pink and light blue, or pink and light blue, the important thing was for the two colours to have the same strength, the important thing was for the two colours to have the same strength, and not just to be merely complementary colours. As a result, and not just to be merely complementary colours. As a result, they wrestle and create light.�, they wrestle and create light.�, (Carla Accardi), (Carla Accardi), With its juxtapositions of warm, With its juxtapositions of warm, vibrant colours with cold and more tranquil tones, vibrant colours with cold and more tranquil tones, the work �A Settori� from 1962 is a refined example of this series of works. It is a symphony of signs and extremely elegant, the work �A Settori� from 1962 is a refined example of this series of works. It is a symphony of signs and extremely elegant, joyful colours, joyful colours, which are typical features of her entire artistic output., which are typical features of her entire artistic output.
