Benjamin H.D. Buchloh, 'Gerhard Richter und die Allegorie des Abstrakten Kabinetts', Texte zur Kunst , December 1992, p. 38, illustrated
New York, Marian Goodman Gallery, Gerhard Richter: Paintings, 1993, pp. 28-29, no. 9, illustrated in colour and p. 8, illustrated installed in Kassel
Exh. Cat., Madrid, Museo Nacional Centro de Arte Reina Sofía, Gerhard Richter , 1994, p. 24, illustrated installed in Kassel
Hans Ulrich Obrist, Ed., Gerhard Richter: The Daily Practice of Painting: Writings and Interviews 1962-1993 , Cambridge 1995, p. 263, illustrated
Exh. Cat., London, Tate Modern, Gerhard Richter: Panorama , 2011, p. 293 no. 102, ill. installed in colour
Emanuele Garbin, Il bordo del mondo. La forma dello sguardo nella pittura di Gerhard Richter, Venice 2011, p. 154
Monopol, July 2014, p. 85, no. 760-1 illustrated in colour
Dietmar Elger, Gerhard Richter: Catalogue Raisonné 1988-1994 , Vol. IV, Ostfildern 2015, p. 438, no. 760/1-4, illustrated in colour
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Benjamin H.D. Buchloh 著, ,《Texte zur Kunst》,1992年12月,頁38,載圖
紐約,Marian Goodman 畫廊,《Gerhard Richter: Paintings》(紐約,1993年),頁28-29,圖9,載彩圖及頁8,載彩圖(本作於卡塞爾「Documenta IX」展覽圖,1992)
馬德里,索非亞王后國家藝術中心博物館,《Gerhard Richter》展覽圖錄,1994年,頁24,載彩圖
Hans Ulrich Obrist 著,《Gerhard Richter: The Daily Practice of Painting: Writings and Interviews 1962-1993》(劍橋,1995年),頁263,載圖
倫敦,泰特現代美術館,《Gerhard Richter: Panorama》展覽圖錄,2011年,頁293,圖102,載彩圖
Emanuele Garbin 著,《Il bordo del mondo. La forma dello sguardo nella pittura di Gerhard Richter》(威尼斯,2011年),頁154
《Monopol》,2014年7月號,頁85,號760-1,載彩圖
Dietmar Elger 著,《Gerhard Richter: 1988-1994》,第四冊,(奧斯特菲爾登,2015年)頁438,圖760-1-4,載彩圖