Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 12, 2019 | Christie's | New York | Impressionist and Modern Art Evening Sale | 7A | $****** - ****** | "La Publicatat" et le vase de fleurs |
paintings
73 x 60 cm (28.75 x 23.63 in)
oil and newspaper collage on canvas
signed 'Miró.' (lower right)
Max Bollag, Zürich.
Perls Galleries, New York.
Acquired from the above by the late owners, 8 October 1957.
Barcelona, Galeries Dalmau, Exposició Joan Miró, February-March 1918, no. 38.
The Arts Club of Chicago, Joan Miró from Chicago Collections and Sculpture by Art, February-March 1961, no. 1 (illustrated; titled Nature morte au journal).
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Smithsonian Institution and Buffalo, Albright-Knox Art Gallery, Miró: Selected Paintings, March-August 1980, p. 52, no. 3 (illustrated in color; titled Newspaper and Flower Vase).
New York, The Museum of Modern Art, Joan Miró, October 1993-January 1994, p. 365, no. 5 (illustrated; illustrated again in color, p. 85; titled "La Publicidad" and Flower Vase).
Paris, Musée national d'art moderne, Centre Georges Pompidou, Joan Miró: 1917-1934, March-June 2004, p. 378, no. 3 (illustrated in color, p. 99).
J. Dupin, Joan Miró: Life and Work, New York, 1962, pp. 73 and 503, no. 27 (illustrated, p. 503; titled La Publicidad and Flower Vase; with incorrect cataloguing).
H. Wescher, Collage, New York, 1971, p. 188.
R.S. Lubar, Joan Miró Before "The Farm," 1915-1922: Catalan Nationalism and the Avant-Garde, Ann Arbor, 1988, pp. vi and 17-18, note 26; pp. 60, and 237, note 30; pp. 300-301 (illustrated, fig. 25).
V. Combalía, El descubrimiento de Miró: Miró y sus críticos, 1918-1929, Barcelona, 1990, p. 284, no. 38.
A. Umland, "Joan Miró's Collage of Summer 1929: 'La Peinture au défi?'" in Essays on Assemblage, New York, 1992, p. 70, note 26 and p. 77, note 97.
J. Dupin, Miró, Paris, 1993, p. 53 (illustrated, fig. 53; titled La Publicidad and the Flowers Vase and dated 1916; with incorrect medium).
J. Dupin and A. Lelong-Mainaud, Joan Miró: Catalogue Raisonné. Paintings, 1908-1930, Paris, 1999, vol. I, p. 32, no. 28 (illustrated in color).
J. Dupin and A. Lelong-Mainaud, Joan Miró: Catalogue Raisonné. Paintings, 1908-1930 (www.successiomiro.com/catalogue) no. 28 (illustrated in color).
signed 'Miró.' (lower right)
oil and newspaper collage on canvas
28 ¾ x 23 5/8 in. (73 x 60 cm.)
Executed in Barcelona in winter 1916-1917 and 1929
