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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jan 28, 2015 | Christie's | New York | Old Master Paintings Part I | 22 | $****** - ****** | The Martyrdom of Saint Apollonia |
paintings
44.1 x 33.6 cm (17.36 x 13.23 in)
oil on copper
(Possibly) Cardinal Ludovico Ludovisi (1595-1632), listed in inventories of 1623 and 1633.Acquired in Rome by the Abbé Jean d’Estrées (1666-1718), Archbishop of Cambrai from 1716, by whom sold toPhilippe II, duc d’Orléans (1674-1723), and by descent to his sonLouis, duc d’Orléans (1703-1752), and by descent to his grandsonLouis Philippe II Joséph d’Orléans, duc de Chartres, called ‘Philippe Egalité (1747-1793).Orléans sale; London, Mr. Bryan’s Gallery, 26 December 1798, lot 36 (350 gns. to Troward). Walsh Porter; (†),
Christie’s, London, 14 April 1810, lot 14 (346 gns. to Parson).George Watson-Taylor, M.P. (1771-1841), Erlestoke Park, near Devizes, Wiltshire, by 1818;
Christie’s, London, 14 June 1823, lot 54 (420 gns. to ‘Count Woronzow’).(Probably) Count Semen (or Seymon) Romanovich Worontsow (1744-1832).Countess Woronzow, Villa Woronzow; her sale, Florence, Villa Woronzow, 28 April 1900, lot 15, to N. Stolypin.Anonymous sale; Sotheby’s, London, 10 December 1986, lot 26, where acquired by the following.Richard Feigen, New York;
Sotheby’s, London, 9 July 2008, lot 72 (£1,833,250), where acquired by the present owner.
London, British Institution, 1818, no. 40.Bologna, Pinacoteca Nazionale; Los Angeles, Los Angeles County Museum of Art; and Fort Worth, Kimbell Art Museum, Guido Reni 1575-1642, 5 September – 5 November 1988; 11 December 1988 – 12 February 1989; 11 March – 14 May 1989, no. 27 (entry by D.S. Pepper).Phoenix, Phoenix Art Museum; Kansas City, Nelson-Atkins Museum of Art; The Hague, Mauritshuis, Copper as Canvas. Two Centuries of Masterpiece Paintings on Copper 1575-1775, 19 December 1998 – 28 February 1999; 28 March – 14 June 1999; 26 June – 22 August 1999, no. 47 (entry by E.P. Bowron).
Dubois de Saint-Gelais, Description des Tableaux du Palais-Royal, second ed., Paris, 1737, no. 191.A.J. d’Argenville, Abrégé de la vie des plus fameux peintres, Paris, 1762, II, p. 108.J. Couché, La Galerie du Palais-Royal gravée d’après les tableaux des différents écoles qui la composent, Paris, 1786, I.W. Buchanan, Memoirs of Painting…, 1824, I, p. 94G. Waagen, Treasures of Art in Great Britain, London, 1854, II, Appendix B, p. 495, no. 9.A. Graves, A Century of Loan Exhibitions 1813-1912, London, 1913, I, p. 458.C. Stryienski, La Galerie du Régent Philippe, Duc d’Orléans, Paris, 1913, p. 170, no. 253.O. Kurz, “Guido Reni”, in Jahrbuch des Kunsthistorischensammlugen in Wien, Vienna, 1937, II, p. 247.(Possibly) K. Garas, “The Ludovisi Collection of Pictures in 1633 – II”, The Burlington Magazine, CIX, no. 771, June 1967, p. 347, no. 224.E. Bacchesi, L’opera completa di Guido Reni, Milan, 1971, p. 88, no. 26c.D.S. Pepper, Guido Reni, Oxford, 1984, pp. 217-18, no. 20.D.S. Pepper, Guido Reni. L’opera completa, Novara, 1988, p. 330, no. 16, pl. VI.R. Spear, “Re-viewing the ‘Divine’ Guido”, The Burlington Magazine, CXXXI, no. 1034, May 1989, p. 370.D.S. Pepper, “Guido Reni: a Review Reviewed” (with a reply by Richard E. Spear), The Burlington Magazine, CXXXII, no. 1044, March 1990, p. 221.R. Spear, The “Divine” Guido. Religion, sex, money and art in the world of Guido Reni, New Haven & London, 1997, pp. 373-74, n. 77.A. Henning, “The New Technique of Painting on Copper”, in Captured Emotions; Baroque Painting in Bologna 1575-1725, exhibition catalogue, Los Angeles, 2008, pp. 26-27.
