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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 13, 2014 | Phillips | New York | Contemporary Art Evening Sale | 23 | $****** - ****** | Orchestral Dominance in Green | |||
May 4, 1987 | Sotheby's | New York | N/A | 9 | Estimates not disclosed | Orchestral dominance in green |
paintings
123.8 x 152.7 cm (48.74 x 60.12 in)
oil on canvas
Signed titled and dated 'orchestral dominance in green 1954 Hans Hofmann' on the reverse; further signed and dated 'Hans Hofmann 54' lower right.
Kootz Gallery, New York, 1961
Collection Henry A. and Jeanette R. Markus, Chicago, 1961 - 1987
Sotheby's, New York, Contemporary Art, Part I, May 4, 1987, lot 9
André Emmerich Gallery, 1987 - 1989
Private Collection, 1989 - 2002
Ameringer Howard Yohe Fine Art, New York, 2002
Riva Yares Gallery, Scottsdale, 2002
Private Collection, 2002
New York, Kootz Gallery, Tenth Anniversary Festival: Hofmann, New Paintings, November 15 - December 11, 1954; Provincetown, H.C. Gallery, Hans Hofmann, July 26 - August 8, 1955; Philadelphia, Pennsylvania Academy of Fine Arts, One Hundred and fifty-First Exhibition of American Painting and Sculpture, January 22 - February 26, 1956; New Brunswick, Rutgers University, Hans Hofmann, curated by Allan Kaprow, April 5 - May, 1956; Houston, Contemporary Arts Museum in conjunction with Houston Symphony Orchestra and the Museum of Fine Arts, Large Scale Painting II, October 30 - November 30, 1956; London, The Tate Gallery, Hans Hofmann, Late Paintings, March 2 - May 1, 1988; New York, André Emmerich Gallery, Hans Hofmann: Selected Works, January 7 - February 13, 1993; New York, New York Studio School of Drawing, Painting and Sculpture, The Brushstroke and Its Guises, March 7 - April 16, 1994; New York, André Emmerich Gallery, Hans Hofmann's America: Landscapes, Still Lifes and Abstractions, December 7, 1995 - January 20, 1996; Berlin, Galerie Haas & Fuchs, Hans Hofmann: Das Spätwerk, October 1 - November 1, 1997; Scottsdale, Riva Yares Gallery, Hans Hofmann: Major Paintings, 1935-1964, March 13 - April 12, 1999, then traveled to Santa Fe, Riva Yares Gallery (July 9 - August 9, 1999); Boca Raton, Ameringer Howard Fine Art, Hans Hofmann: A Retrospective Exhibition, November 11 - December 4, 1999; New York, Ameringer Howard Fine Art, Hans Hofmann, The Summer Studio, April 27 - June 10, 2000; Provincetown, Art Association & Museum, Hans Hofman, Four Decades in Provincetown, July 28 - October 1, 2000; San Francisco, John Berggruen Gallery, Hans Hofmann: Paintings, February 1 - March 3, 2001; Naples, Naples Museum of Art, Hans Hofmann: A Retrospective, November 1, 2003 - March 21, 2004
Tenth Anniversary Festival: Hofmann, New Paintings, exh. cat., Kootz Gallery, New York, 1954, no. 14, back cover (illustrated); A. Newbill, 'Fortnight in Review: Hans Hofmann,' Arts Digest 29, no. 5, December 1, 1954, p. 28; P. Tyler, 'Reviews and Previews: Hans Hofmann,' ARTnews 53, no. 8, December, 1954, p. 51; C. Greenberg, Hofmann, Paris: Editions Georges Fall, 1961, p. 13 (illustrated), p. 37; M. Seuphor, Abstract Painting: Fifty Years of Accomplishment, from Kandinsky to the Present, translated by Haakon Chevalier, New York: Harry N. Abrams, 1962, pl. 460, p. 259 (illustrated); H. Hofmann, S. Hunter, Hans Hofmann, Second Edition, New York: Harry N. Abrams, 1963, pl. 49 (illustrated), pp. 19, 28; J. Murray, 'Hans Hofmann's Use of Nature as Aesthetic Norm,' Arts Magazine 55, no. 6, February 1981, p. 108; C. Goodman, Hans Hofmann, Modern Masters Series 10, New York: Abbeville Press, 1986, pp. 37, 115; 'Ad for the Estate of Hans Hofmann, André Emmerich Gallery, New York,' ARTnews 87, no. 7, September 1988, p. 11 (illustrated); D. Anfam, 'Rehearsed Spontaneity: Hofmann at the Tate,' Art International, Summer 1988, p. 98, p. 100 (illustrated); J. Burr, 'The Rise of Abstract Expressionism,' Apollo, no. 127, April 1988, fig. no. 2, p. 294 (illustrated); P. Overy, 'When Paint Stays Paint. Bomberg and Hofmann: Conflicts in Style,' Studio International 201, no. 1020, July 1988, p. 19 (illustrated); Hans Hofmann: The Late Paintings, exh. cat, Tate, London, 1988, pl. 2, p. 27 (illustrated); D. Anfam, Abstract Expressionism, London: Thames & Hudson, 1990, p. 172; C. Goodman, Hans Hofmann, New York: Whitney Museum of American Art, Munich: Prestel-Verlag, 1990, p. 136; S. Polcari, Abstract Expressionism and the Modern Experience, Cambridge: Cambridge University Press, 1991, p. 329; Hans Hofmann: Das Spätwerk, Galerie Haas & Fuchs, Berlin, 1997, p. 9, front & back cover (illustrated); Hans Hofmann: Major Paintings, exh. cat., Riva Yares Gallery, Santa Fe, 1999, p. 19 (illustrated); Hans Hofmann, exh. cat., Ameringer Howard, New York, 2000, p. 29 (illustrated); Hans Hofman, Four Decades in Provincetown, exh. cat., Art Association & Museum, Provincetown, 2000, p. 29 (illustrated); D. Forman, 'Coming Home: Hans Hofmann Provincetown Exhibited Shows the Artist in a Place He Loved,' Cape Cod Times, July 27, 2000, p. B2; D. Forman, 'Dancing Colors,' Cape Cod Times, August 5, 2000, p. B1; G. Glueck, 'Art in Review: Hans Hofmann,' New York Times, May 26, 2000, p. E36; J. Yohe, ed., Hans Hofmann, New York: Rizzoli, 2002, pp. 22, 32, 275, p. 161 (illustrated); Hans Hofmann: A Retrospective, exh. cat., Naples Museum of Art, Naples, 2004, no. 35 (illustrated); D. Miller, Picturing America: Selections from the Whitney Museum of American Art, New York: Whitney Museum of American Art, Tokyo: Howaito Intanashonaru, 2005, p. 168; T. Dickey. Color Creates Light: Studies with Hans Hofmann, Salt Spring Island, Canada: Trillistar Books, 2011, p. 318; S. Villiger, ed., Hans Hofmann, Catalogue Raisonné of Paintings, Volume III, Catalogue Entries 1952 - 1965, 2014, no. P974, p. 83 (illustrated)
