Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
May 28, 2014 | Sotheby's | New York | Latin American Art Modern & Contemporary | 13 | $****** - ****** | Escritura Anne | |||
Nov 22, 1999 | Christie's | New York | Latin American Sale - Including Property of Bruno Mussatti Collect | 203 | $****** - ****** | Medium black writing |
sculpture
74 x 140.3 x 16 cm (29.13 x 55.24 x 6.3 in)
painted wood, metal and nylon string
signed and dated 1966 on the reverse
Acquired from the artist 1973
Marseille, Musée Cantini, February-March 1977; Grenoble, Musée de Peinture et de Sculpture, April-May 1977; Saint Étienne, Musée d’Art et d’Industrie, June-August,1977; Paris, Musée National d'Art Moderne, September-November, 1977, L'Avant-garde 1960-1976; Paris, Grand Palais, L’Art moderne dans les musées de province, February 3-April 24, 1978, illustrated; Paris, Galerie Nationale du Jeu de Paume; January 7-March 9, 1997, Reutlingen, Stiftung für Konkrete Kunst, April 20-September 28, 1997; São Paulo, Museu de Arte Contempôranea da Universidade, November 26, 1997-January 21, 1998; Salvador do Bahia, Museu de Arte Moderna, March 1998; Montevideo, Museo Nacional de Artes Visuales, May 1998; Buenos Aires, Museo Nacional de Bellas Artes, June 1998; Curitiba, Casa Andrade Muricy, September 25-December 6, 1998; Jesús Rafael Soto, pp. 106-7, illustrated in color
Ricardo Pau-Llosa, “Jesús Rafael Soto: Feeling the Infinite”, Sculpture Magazine, No. 6, Vol. 16, July-August 1997, illustrated in color
