Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Last Sale Date | Title | Edition No. | Last Sale | Last Sale Auction House | Last Sale Location | |
|---|---|---|---|---|---|---|---|
| Jun 26, 2013 | Yunque De Sueños III (Anvil Of Dreams III) | 3 | Christie's | London | |||
sculpture
72 x 24 x 23 cm (28.35 x 9.45 x 9.06 in)
bronze and wood
incised with the artist's monogram and numbered '3/4 ''' (on the bronze element)
Galerie
Jan Krugier, Ditesheim & Cie., Geneva. Galería Luis Burgos, Madrid.
Acquired from the above by the present owner in 2005.
Paris, Galerie Maeght, Chillida. Sculptures récentes, 1961 (another example exhibited). Duisburg, Wilhelm Lehmbruck Museum, Eduardo Chillida, 1966, no. 6 (another example exhibited, illustrated, unpaged). The Hague, Galerie Nouvelles Images, Eduardo Chillida, 1975 (another example exhibited, illustrated, p.5). Pittsburg, Museum of Art, Carnegie Institute, Chillida - De Kooning , 1979-1980, no. 15 (another example exhibited). New York, Solomon R. Guggenheim Museum, Eduardo Chillida, 1980 (another example exhibited). Madrid, Palacio de Cristal, Exposición antológica de Eduardo Chillida, 1980 (another example exhibited). Barcelona, Galería Maeght, Chillida. Esculturas. Obra gráfica, 1980 (another example exhibited, illustrated, p. 25). Bilbao, Museo de Bellas Artes de Bilbao, Chillida, 1981, no. 7 (another example exhibited, illustrated, p. 17). Hanover, Kestnergesellschaft, Eduardo Chillida. Skulpturen, 1981, no. 3 (another example exhibited, illustrated, p. 43). Paris, Musée d'Art Moderne de la ville de Paris, Le siècle de Picasso, 1987, no. 140 (another example exhibited, illustrated, p. 197). This exhibition later travelled to Madrid, Museo Nacional Centro de Arte Reina Sofía, no. 132 (another example exhibited, illustrated, p. 197). Madrid, Galería Afinsa, Exposición colectiva inaugural: Chillida, Kienholz, W. Lam, Lindner, Miró, Riopelle, Soto, Tàpies, Equipo Crónica, 1988 (another example exhibited, illustrated, p. 15). Valencia, IVAM, Institut Valencià d'Art Modern, La colección del IVAM: adquisiciones 1985-1992, 1992 (another example exhibited, illustrated, p.124). Frankfurt, Schirn kunsthalle Frankfurt, Eduardo Chillida. Eine retrospektive, 1993, no. 15 (another example exhibited, illustrated, p. 43). Valencia, IVAM, Institut Valencià d'Art Modern, Eduardo Chillida. Elogio del Hierro. Praise of Iron, 1998 (another example exhibited, illustrated in colour, pp. 100-101). Las Palmas de Gran Canaria, Centro Atlántico de Arte Moderno, Forjar el espacio. La escultura forjada en el siglo XX, 1999, no. 29 (another example exhibited, illustrated, p. 273). This exhibition later travelled to Valencia, IVAM, Institut Valencià d'Art Modern and Calais, Musée des Beaux-Arts et de la Dentelle. Barcelona, Fundació Joan Miró, Chillida, 2003 (another example exhibited, illustrated, p. 77).
J. J. Sweeney, Derrière le Miroir, no. 124, Paris 1961, no. 3 (another example illustrated, p. 15). Exposición-venta pro damnificados del Vallés, exh. cat., Barcelona, Diputación Provincial de Barcelona, 1962, p. 26. P. Volboudt, Chillida, Barcelona 1967, no. 25 (another example illustrated, p. 54). C. Arean, Escultura actual en España: Tendencias no imitativas, Madrid 1967, p. 10. C. Esteban, Chillida, Paris 1971, no. 29 (another example illustrated, p. 87). O. Paz and E. Chillida, Chillida, Paris 1979, no. 58 (another example illustrated, p. 157). A. Martínez and M. Soledad, Escultores Contemporáneos de Guipúzcoa 1930-1980: medio siglo de una Escuela Vasca de Escultura, Donostia-San Sebastián 1981, p. 435. "Chillida. Gure Aitaren Etxea", in Aldaba, no. 30, 1987, p. 35. K. M. de Barañano, La obra artística de Eduardo Chillida, Bilbao 1988, p. 16. G. Lascault, "Les sculptures philosophiques d'Eduardo Chillida", in Artstudio, no. 14, 1989, p. 56. I. Busch, "Chillida", in Guadalimar, no. 144, 1998, p. 34. Rumbo de la Escultura Española en el siglo XX, exh. cat., Las Palmas de Gran Canario, Centro Atlántico de Arte Moderno, 2001, p. 119. J. Molins, Grandes artistas: la mirada de los descendientes. IVAM documentos 4, Valencia 2003, p. 75. K. Bubmann, Chillida. Haupwerke, Munich 2003, p. 33. Eduardo Chillida, exh. cat., Nagasaki, Nagasaki Prefectural Art Museum, 2006, no. S-01 (another example illustrated, p. 24). J. Lomelí Ponce, El límite como concepto plástico en la obra de Eduardo Chillida, Barcelona 2011, p. 172.
