Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jun 30, 2009 | Christie's | London | Post-War and Contemporary Art Evening Auction | 8 | $****** - ****** | Self-Portrait |
paintings
57.2 x 57.2 cm (22.52 x 22.52 in)
synthetic polymer paint, silkscreen inks and pencil on canvas
stamped with the artist's signature and numbered 'A1290.5' (on the overlap)
Leo Castelli Gallery, New York. Ben Berillo, New York. Leon Kraushar, Long Island. Karl Ströher, Darmstadt. Galerie Heiner Friedrich, Munich.
José Mugrabi Collection. Jablonka Galerie, Cologne.
Acquired from the above by the present owner in 2001.
Boston, Institute of Contemporary Art, Andy Warhol, October-November 1966, no. 34. Munich, Galerie Verein, Sammlung 1968 Karl Ströher, June-August 1968, no. 144. Tokyo, Mitsukoshi, Ltd., Andy Warhol, January 1991, no. 30 (illustrated in colour, on the cover). Tel Aviv, Museum of Art, Andy Warhol, 1928-1987: Works from a Private Collection, August-October 1992, no. 17 (illustrated in colour, unpaged). Vienna, Kunsthaus, Andy Warhol 1928-1987, February-May 1993, no. 34 (illustrated in colour, unpaged). This exhibition later travelled to Athens, National Gallery, June-August 1993; Orlando, Museum of Art, October-December 1993 and Fort Lauderdale, Florida Museum of Art, January-March 1994. Taipei, Fine Arts Museum, Andy Warhol, October-November 1994 (illustrated in colour, p. 75). Lausanne, Fondation de l'Hermitage, Andy Warhol, May-October 1995, no. 3 (illustrated in colour, unpaged). Milan, Fondazione Antonio Mazzotta, Andy Warhol from the Collection José Mugrabi, October 1995-February 1996, no. 79 (illustrated, p. 117). Ludwigshafen, Wilhelm Hack Museum, Andy Warhol, September 1996-January 1997, no. 80 (illustrated in colour, unpaged). New York, Tony Shafrazi Gallery, Andy Warhol, Thirty are Better than One, May-June 1997 (illustrated in colour, p. 39). Helsinki, Taidehalli, Andy Warhol: Samlingen José Mugrabi, August-November 1997 (illustrated in colour, p. 107). Warsaw, National Museum, Andy Warhol, March-July 1998 (illustrated, p. 223). Rio de Janeiro, Centro Cultural Banco do Brasil, Warhol, October-December 1999, no. 70. Venice, L Biennale di Venezia, Sogni e Conflitti - La dittatura dello spettatore, June-November 2003 (illustrated, p. 434). St. Gallen, Kunstmuseum, Andy Warhol Self-Portraits, June-September 2004, no. 9 (illustrated in colour, p. 40). This exhibition later travelled to Hanover, Sprengel Museum, October 2004-January 2005 and Edinburgh, Scottish National Gallery of Modern Art, February-May 2005.
R. Crone, Andy Warhol, New York 1970, no. 187. R. Crone, Andy Warhol, New York 1976, no. 348. Y. Shirakura, Andy Warhol: Shinchosha's Super Artists, Tokyo 1990, no. 58 (illustrated in colour). 'Andy Warhol: le mythe de l'âge d'or' in Arts, no. 56, June 1995, no. 26-27 (illustrated in colour). C. Cappa Legora, Andy Warhol: eine unglaubliche Geschichte nicht nur für Kinder, Milan 1996 (illustrated in colour, p. 6). G. Frei and N. Printz (eds.), Andy Warhol Catalogue Raisonné: Paintings and Sculptures 1964-1969, vol. 02B, New York 2004, no. 1877 (illustrated in colour, p. 123).
