Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jul 6, 2010 | Christie's | London | Old Master & 19th Century Paintings, Drawings & Watercolours Evening | 25 | $****** - ****** | Portrait of a Knight of the Golden Fleece, half-length, in armour, holding a baton of command |
paintings
73.4 x 51.6 cm (28.9 x 20.31 in)
oil on canvas
(Possibly) Mr. [J or T] Norman, Plymouth Dock, Plymouth, Devon
Hickman, London, 16 May 1818, lot 26a, as 'Sancheo Coello', 'Portrait of the Duke d'Alba' (possibly to the following). (Possibly) Anonymous sale [with Urbino Pizzetta, Foley Place, London]
Christie's, London, 26 May 1820, lot 89, as 'Sanchez Coello', 'Portrait of the Duke of Alva' (unsold
possibly subsequently acquired privately by the following). William Beckford (1760-1844), Fonthill Abbey, Wiltshire
Christie's, Fonthill Abbey, 16 October 1822 [=7th day], lot 31, as 'Coello', 'Portrait of the Duke of Alva in a Cuirass, and with a Mareschal's Baton--very highly finished' (the entire contents of the sale were sold by private treaty prior to the auction to). Anonymous sale [John Farquhar (1751-1826), merchant and entrepreneur, Fonthill Abbey, Wiltshire]
Phillips, Fonthill Abbey, 10 October 1823 [=24th day], lot 26, as 'Coello' [amended to 'Merevelt' in one copy of the catalogue], 'Portrait of the Duke of Alva in a Cuirass, and with a Mareschal's Baton,--highly finished--In No. 73 [the Eastern Yellow Drawing Room]' (30 gns. to John Swabey on behalf of the following). William Beckford, Lansdown Tower, Bath, in the back drawing room, and by descent to. William Douglas-Hamilton, 12th Duke of Hamilton, 9th Duke of Brandon, 2nd Duke of Châtelherault (1845-1895), Hamilton Palace, Hamilton, South Lanarkshire
Christie's, London, 8 July 1882 [=10th day], lot 1141, as 'Coello', 'Portrait of the Duke of Alva, in white dress and ruff, and partly-gilt breastplate, holding a baton in his right hand' (400 gns. to Agnew on behalf of Shaw-Stewart). Sir Michael Shaw-Stewart, 7th Bt. of Greenock and Blackhall (1826-1903), and by descent at Fonthill, through his third son, Walter Richard Shaw-Stewart (1861-1934), and the latter's second daughter, Irene Beatrice, wife of Brigadier Reginald Gordon Ward Rimington.
New York, The Bard Graduate Center for Studies in the Decorative Arts, Design and Culture, and London, The Dulwich Picture Gallery, William Beckford, 1760-1844: An Eye for the Magnificent, 18 October 2001-14 April 2002, no. 130 (note by J. Chapel).
