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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jun 25, 2014 | Christie's | London | Modern British Art Evening Sale | 24 | $****** - ****** | Composition (CL II) |
paintings
152 x 182.5 cm (59.84 x 71.85 in)
oil on canvas
signed 'W. SCOTT' (lower right)
with Galerie Charles Leinhard, Zurich, where purchased by the present owner in June 1961.
Zurich, Galerie Charles Lienhard, William Scott, November - December 1959, no. 11, as 'Painting'.Hannover, Kestner-Gesellschaft, William Scott, June 1960 - February 1961, no. 39, as 'Untitled': this exhibition travelled to Freiburg, Kunstverein, August 1960; Dortmund, Museum at Ostwall, September - October 1960; and Munich, Städische Galerie und Lenbachgalerie, January - February 1961.Bern, Kunsthalle, Victor Pasmore, William Scott, July - August 1963, no. 24, as 'Painting'.London, Tate Gallery, William Scott: Paintings and Drawings and Gouaches 1938 - 1971, April - May 1972, no. 61, illustrated, as 'Composition'.
Exhibition catalogue, William Scott, Zurich, Galerie Charles Lienhard, 1959, no. 11, illustrated on the cover.R. Melville, 'William Scott', Motif 8, London, 1961, p. 35, illustrated, as 'Composition 1959 CL11'.Exhibition catalogue, William Scott; Hannover, Kestner-Gesellschaff, 1960, pp. 27, 29, no. 39, illustrated. R. Alley, William Scott, for 'Art in Progress', London, 1963, illustrated, as 'Untitled'.M. Seuphor, Bin halbes Jahrhundert Abstrakte Maleriei von Kandinsky bis zur Gegenwart, Droemer-Knaur, c. 1962, pp. 204, 205, no. 323, illustrated. A. Bowness, William Scott: Paintings, London, 1964, pp. 11, 37, no. 104, illustrated as 'Composition CL II (Painting)'. W. Scott, draft letter to Alan Bowness, undated.Exhibition catalogue, Paintings Drawings and Gouaches 1938-71, London, Tate Gallery, 1972, p. 52, no. 61, illustrated.N. Lynton, William Scott, London, 2004, p. 228.S. Whitfield, William Scott: Catalogue Raisonné of Oil Paintings, Volume 2: 1952-1959, London, 2013, no. 397, p. 274, illustrated.
