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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jun 5, 2019 | Dorotheum | Vienna | Contemporary Art I | 201 | $****** - ****** | Bon Espoir |
paintings
88 x 115 cm (34.65 x 45.28 in)
oil on canvas
signed and dated 55; titled, signed and dated Vence août 1955 on the reverse
European
Private Collection (from the late 1970s)
Vence, Vingt tableaux peints récemment à Vence par Jean Dubuffet, Galerie les Mages, 1–3 October 1955, exh. cat. no. 5
L. Trucchi, Jean Dubuffet, De Luca Editore, Rome 1965, p. 211,
no. 180 with ill.
M. Loreau, Catalogue des Travaux de Jean Dubuffet, Fascicule XI: Charrettes, jardins, personnages, monolithes, Weber Editeur, Switzerland 1969, p. 65, with ill. no. 77
signed and dated 55; titled, signed and dated Vence août 1955 on the reverse, oil on canvas, 88 x 115 cm, framed
We are grateful to Fondation Dubuffet, Paris for the assistance with cataloging this work
Provenance:
European Private Collection (from the late 1970s)
Exhibited:
Vence, Vingt tableaux peints remécé à Vence par Jean Dubuffet, Galerie les Mages, 1-3 October 1955, exh. cat. no. 5
Literature:
L. Trucchi, Jean Dubuffet, De Luca Editore, Rome 1965, p. 211
no. 180 with ill.
M. Loreau, Catalog of the Travaux de Jean Dubuffet, Fascicule XI: Charrettes, jardins, personnages, monolithes, Weber Editeur, Switzerland 1969, p. 65, with ill. no. 77
1955] - the constituent parts of which remain indistinguishable - with the aim of producing a very vivid effect of scintillation; The same is true, so that the result would be the same an intense flavor of life.
Jean Dubuffet
Three Works by DUBUFFET from an important Private Collection
Jean Debuffet was born in Le Havre in 1901, and made the journey from wine producer to artist. A move to Paris and acquaintance with Suzanne Valadon and Fernand Léger stimulated an interest, from the early twenties on, in primordial, unconstrained forms of expression, like the language of children, of primitive peoples, or psychiatric patients.
Those who try to discriminate between healthy and unhealthy species, and those who wish to do so, will never find a conclusive formula. Many years later, this interest would bring him to a new graphic code, which takes the concept of iconographic expressionism free from rational conditioning.
