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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Sep 19, 2019 | Christie's | London | Visions of Collecting: Royal and Aristocratic, An Important Private Collection | 154 | $****** - ****** | Corso auf dem Monte Pincio | |||
Jun 17, 1986 | Sotheby's | London | N/A | 99 | Estimates not disclosed | On the Monte Pincio, Rome |
paintings
70.8 x 100.7 cm (27.87 x 39.65 in)
oil on canvas
signed and dated 'M Liebermann 11.' (lower left)
Carl Steinbart, Lichterfelde, by 1911.
Paul Cassirer, Berlin (no. 1761), by whom acquired from the above on 14 December 1911.
Henry P. Newman, Hamburg, by 1914.
Maria Newman, Hamburg, by descent from the above in 1917.
Carl Henry Newman, Hamburg, by descent from the above in 1942, and until 1983.
Private collection, France, 1983-1986, by descent from the above.
Anonymous sale; Sotheby's, London, 17 June 1986, lot 99.
Berlin, Paul Cassirer, II. Ausstellung, XIV. Jg., November 1911, no. 38.
Berlin, XXIV. Ausstellung der Berliner Secession, November - December 1912, no. 151 (illustrated).
Berlin, Königliche Akademie der Künste, Max Liebermann, 70. Geburtstag, July - August 1917, no. 167.
Zurich, Kunsthaus Zürich, Max Liebermann, June - July 1923, no. 83 (illustrated pl. XXVI).
Hamburg, Kunsthalle, Leihausstellung aus Hamburgischem Privatbesitz, May 1925, no. 192 (illustrated).
G. Pauli, Max Liebermann, Stuttgart & Leipzig, 1911, p. 253 (illustrated p. 238).
Kunst und Künstler, vol. X, no. 4, December 1911, p. 214.
'Rezension der Ausstellung bei Pul Cassirer', in Kunst für Alle, vol. XXVII, supplement to no. 7, 1 January 1912, p. 1.
G. Biermann, 'Die Ausstellung der Berliner Secession', in Der Cicerone, vol. IV, no. 8, April 1912, pp. 309-310.
F. Lorenz, 'Die Ausstellung der Berliner Sezession 1912', in Kunstwelt, vol. I, no. 8, May 1912, pp. 583-587 (illustrated p. 593).
K. Glaser, 'Die XXIV. Ausstellung der Berliner Secession', in Kunst für Alle, vol. XXVII, no. 18, 15 June 1912, p. 428 (illustrated p. 415).
'Die 24. Ausstellung der Berliner Secession', in Deutsche Kunst und Dekoration, vol. XXX, April - September 1912, p. 285 (illustrated).
E. Hancke, Max Liebermann: Sein Leben und seine Werke, Berlin, 1914, pp. 486 & 545.
A. Gold, 'Max Liebermann - Berlin', in Deutsche Kunst und Dekoration, vol. XXXIX, 1916-1917, p. 29 (illustrated).
A.L. Mayer, 'Unzeitgemäße Betrachtungen über Max Liebermann', in Die Bildenden Künste, vol. II, 1919, pp. 155-158 (illustrated p. 155).
A. Kuhn, Max Liebermann. Gedanken und Bilder, Munich, 1923 (illustrated after p. 20).
M.J. Friedländer, Max Liebermann, Berlin, 1924, p. 126 (illustrated fig. 66, p. 125).
Dirksen, 'Leihausstellung aus Privatbesitz in Hamburg', in Kunstchronik und Kunstmarkt, vol. XXXV, no. 9, 30 May 1925, p. 161 (illustrated).
W.F. Burr, Max Liebermann, Berlin, 1925 (illustrated pl. 12).
G. Pauli, 'Leihausstellung in der Kunsthalle zu Hamburg', in Der Cicerone, vol. XVII, 1925, no. 12, pp. 577-583.
M. Eberle, Max Liebermann 1847-1935: Werkverzeichnis der Gemälde und Ölstudien, vol. II, 1900-1935, Munich, 1996, no. 1911/40, p. 826 (illustrated p. 827).
S. Busold, '"Echte Freude an schönen Bildern" Der Sammler Henry P. Newman', in U. Luckhardt & U.W. Schneede, eds., exh. cat., Private Schätze: Über das Sammeln von Kunst in Hamburg bis 1933, Hamburg, 2001, p. 57.
S. Busold, Henry P. Newman: Hamburger Großkaufmann und Mäzen, Hamburg, 2012, p. 36.
signed and dated 'M Liebermann 11.' (lower left)
oil on canvas
70.8 x 100.7 cm. (27 7/8 x 39 5/8 in.)
Painted in 1911
