Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 11, 2015 | Christie's | New York | Eve. Post-War and Contemporary Evening Sale | 39B | $****** - ****** | Biennale 66 |
sculpture
230.2 x 120 cm (90.63 x 47.25 in)
four panels—painted tissue paper on polished stainless steel
The Estate of Ileana Sonnabend, New York
By descent to the present owner
Venice, La Biennale di Venezia, 33rd International Art Exposition, June-October 1966, p. 97, no. 6, fig. 106 (illustrated).
Brussels, Palais des Beaux-Arts, Michelangelo Pistoletto, April-March 1967.
Musée d'Art Moderne de la Ville de Paris, V Biennale d'art Contemporain, September-November 1967, p. 95, no. 8.
Madrid, Palacio de Cristal, Parque del Retiro, Michelangelo Pistoletto, October-December 1983, pp. 155 and 225, no. 7 (illustrated).
Bordeaux, CAPC musée d'art contemporain; Madrid, Museo Nacional Centro de Arte Reina Sofía; Berlin, Hamburger Bahnhof; Rome, Galleria Nazionale d'Arte Moderna; Museo d'Arte Moderna e Contemporanea di Trento e Rovereto; Geneva, Musée Rath; Tokyo, Sezon Museum of Art; Sendai, Miyagi Museum of Art; Hiroshima, Fukuyama Museum of Art and Kyoto, National Museum of Modern Art, Collection Sonnabend: 25 Années de Choix et d'Activités d'Ileana et Michael Sonnabend, October 1987-February 1991, p. 164 (installation view illustrated in color).
Venice, La Biennale di Venezia, Palazzo Ducale, Venice and the Biennale: Journeys of Taste: Paintings and Sculptures 1895-1972, June-October 1995, p. 256.
Saratoga Springs, Skidmore College, Frances Young Tang Teaching Museum and Art Gallery; Columbus, Ohio State University, Wexner Center for the Arts and Milwaukee Art Museum, From Pop to Now: Selections from the Sonnabend Collection, June 2002-May 2003, pp. 114-115 (illustrated in color).
Philadelphia Museum of Art and Rome, MAXXI Museo nazionale delle arti del XXI secolo, Michelangelo Pistoletto: From One to Many, 1956-1974, November 2010-June 2011, pp. 226-227, pl. 39, fig. 183 and cover (illustrated in color).
A. Boatto, Pistoletto: dentro/ fuori lo specchio, Rome, 1969, no. 30 (illustrated).<br>Risonanze 3: Michelangelo Pistoletto and Giovanni Sollima, exh. cat., Rome, Spazio Risonanze, 2009, no. 68 (illustrated).
