William Scott RA (1913-1989) Breton Woman Oil on canvas, 34.9 x 27.9cm (13¾ x 11") Signed & dated "W Scott "39" (Artist"s ref. no. 769) Exhibited: "Paintings by William Scott", Leger & Son, London September 1942, no. 21; "Irish Painters in Brittany" Exhibition, The Crawford Gallery Cork June/July 2001 (ex Cat); "Peintres Anglais en Bretagne" Musée de Pont-Aven 26th June - 27th September 2004.; William Scott in Ireland, the F.E.McWilliam Museum, Banbridge. March-September 2009 ; "The French Connection" The Ava Gallery, Clandeboye, Aug/Sept 2010 , The Hunt Museum Sept/Oct 2010 Cat No.32 Literature: "William Scott" by R. Alley, 1963 plate 3; "William Scott: Paintings" Bowness, 1964, London, p7; "Peintres Anglais en Bretagne" Musée de Pont-Aven 26th June - 27th September 2004, p90, and full colour page illustration p.91; "William Scott in Ireland" by Dr Denise Ferran, illustrated p14 "The French Connection" 2010 Exhibition Catalogue, full page illustration p44 Born of Irish parents Scott returned with them to Enniskillen, Co. Fermanagh, in 1924. He lived in France in 1938-39 and briefly in Dublin in 1940 before settling in England. He is one of the most famous of Irish artists, he exhibited widely throughout the world and has a major international reputation. He represented Great Britain at the Venice Biennale, 1958, and at the Sao Paulo Bienal, 1961, where he was awarded the International Artist"s Prize. In 1938 Scott moved with his wife, Mary, to Pont-Aven in Brittany, to run the Pont-Aven School of Painting with Geoffrey Nelson. Scott was particularly interested in the association of the place with Gauguin and his followers, and among his models was an old woman who had sat in her youth for Gauguin. This woman, Marie Henry from Pouldu, is thought to be the subject of the current work.