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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jun 8, 2017 | Sotheby's | New York | Master Paintings | 83 | $****** - ****** | Very Good | VENICE, A VIEW OF THE EQUESTRIAN MONUMENT TO BARTOLOMEO COLLEONI AND THE CHURCH OF SANTI GIOVANNI E PAOLO |
paintings
oil on canvas
With Giammaria Sasso, Venice, by 1790;
From whom acquired by Sir Abraham Hume, 2nd Baronet (1749-1838), Ashridge Park, in 1790 (his label on the reverse);
By descent to his grandson, John Hume Egerton, Viscount Alford (1812-1851);
By descent to his son, John William Spencer Brownlow Egerton-Cust, 2nd Earl Brownlow (1842–1867);
Thence by descent within the family to Lord Brownlow;
By whom sold, London, Sotheby's, 26 March, 1969, lot 131, for £17,000 to E.P. Taylor;
Anonymous sale, London, Christie's, 11 June 1971, lot 92, for 13,000 gns. to Hallsborough;
Dino Fabbri (1920-2001);
His anonymous sale, London, Sotheby's, 1 November 1978, lot 53;
There acquired by the present collector.
Toronto, Art Gallery of Toronto; Ottawa, National Gallery of Canada;
Montreal, Museum of Fine Arts, Canaletto, 17 October 1984 - 28 February 1965, no. 28.
Ashridge Park catalogue, 1851, p. 15, cat. no. 45;
F. Mauroner, "Collezionisti e vedutisti settecenteschi a Venezia," in Arte Veneta, 1947, p. 49 (possibly the "S. Giov. e Paolo - Canaletto" cited in letters between British resident in Venice, John Strange and Venetian dealer, Giammaria Sasso)
W.G. Constable, Canaletto, Giovanni Antonio Canal 1697-1768, Oxford 1962, vol. II, p. 321, cat. no. 309, reproduced vol. I, plate 58;
L. Puppi, L'opera completa del Canaletto, Milan 1968, p. 111, cat. no. 246A, reproduced;
W.G. Constable, Canaletto, Giovanni Antonio Canal 1697-1768, revised by J.G. Links, Oxford 1989, vol. II, pp. 342-3, cat. no. 309, reproduced, vol. I, plate 58;
L. Borean, "Lettere artistiche del Settecento veneziano, 2, Il carteggio Giovanni Maria Sasso - Abraham Hume," in Fonti e documenti per la storia dell’arte veneta, 11, 2004, p. 157.
