Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jun 21, 2011 | Christie's | London | Impressionist/Modern Evening Sale | 85 | $****** - ****** | La Côte des Mathurins à l'Hermitage, Pontoise |
paintings
47 x 56 cm (18.5 x 22.05 in)
oil on canvas
signed and dated 'C.Pissarro.1876' (lower right)
Galeries Durand-Ruel, Paris, circa 1888. Durand-Ruel Galleries, New York (no. 15D), circa 1888. Isabella Hay, New York, circa 1899. Durand-Ruel Galleries, New York (no. 2973), by whom acquired from the above on 15 February 1905. Baron Louis de Chollet, Fribourg, after 1935. Wildenstein & Cie., by whom acquired from the above in 1965.
Private collection, USA, by 1968. Galerie Rinçon de Arte, Caracas.
Acquired from the above by the present owner.
Boston, Chase's Gallery, Paintings by the Impressionists of Paris: Monet, Pissarro, Sisley, March 1891, no. 6 (???). Buffalo, The Fine Art Academy, Albright Art Gallery, The XIXth Century: French Art in Retrospect, November 1932, no. 47. Toronto, The Art Gallery, Modern French Painting from Manet to Matisse, January 1933, no. 31. Houston, Museum of Fine Arts, Modern French Painting, February - March 1934, no. 25. Indianapolis, John Herron Art Institute, October - November 1934. San Francisco, Museum of Art, Opening Exhibition: Art of our Time, January 1935, no. 30. Albany, Institute of History and Art, Paintings by the Master Impressionists, October - November 1935, 18. Kansas City, The William Rockhill Nelson Gallery of Art, The Mary Atkins Museum of Fine Arts, French Impressionist Landscape Painting, 1936, no. 50. New York, Durand-Ruel Galleries, Monet, Pissarro, Sisley before 1890, November - December 1938, no. 9. New York, Knoedler Galleries, Early Impressionism, March - April 1941, no. 20.
L.R. Pissarro & L. Venturi, Camille Pissarro, Son art - son oeuvre, vol. I, Paris, 1939, no. 346, p. 129 (illustrated vol. II, no. 346, pl. 69; titled 'Paysage près Pontoise'). C. Kunstler, Pissarro: Villes et campagnes, Lausanne, 1968, no. 14, p. 31. J. Pissarro & C. Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, vol. II, Milan, 2005, no. 44, p. 321 (illustrated).
