Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
Discover how the artwork has performed looking at the estimated historical value to date for this artwork, with its prior recorded sales and comparable artworks.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Oct 22, 2020 | Sotheby's | Paris | Modernités | 16 | $****** - ****** | TÊTE D’HOMME | |||
Jun 20, 2018 | Christie's | London | Impressionist and Modern Art Evening Sale | 5b | $****** - ****** | TÊTE D’HOMME |
Works on Paper
62.5 x 47.5 cm (24.61 x 18.7 in)
gouache on paper
Galerie Daniel-Henry Kahnweiler, Paris (Ph. 136)
Sale: Hôtel Drouot, Paris, June 15, 1927, lot 16
Raoul Pellequer, Paris (circa 1942)
Mr. & Mrs. Bernard F. Gimbel, Connecticut (circa 1965)
Lefevre Gallery, London
Acquired from the above by the present owner in 1977
__________________________________________________________________________
Galerie Daniel-Henry Kahnweiler, Paris (Ph. 136)
Vente: Hôtel Drouot, Paris, 15 juin 1927, lot 16
Raoul Pellequer, Paris (vers 1942)
M. & Mme Bernard F. Gimbel, Connecticut (vers 1965)
Lefevre Gallery, Londres
Acquis auprès du précédent par le propriétaire actuel en 1977
Washington, Washington Gallery of Modern Art & Hartford, Wadsworth Atheneum, 20th Century Painting and Sculpture: An Exhibition Selected from Private Collections in Connecticut, 1965, no. 51 (mentioned in the catalogue with incorrect dimensions)
__________________________________________________________________________
Washington, Washington Gallery of Modern Art & Hartford, Wadsworth Atheneum, 20th Century Painting and Sculpture: An Exhibition Selected from Private Collections in Connecticut, 1965, no. 51 (mentionné dans le catalogue sous des dimensions erronées)
Christian Zervos, Pablo Picasso, Œuvres de 1906 à 1912, Paris, 1942, vol. II, no. 147, illustrated p. 74
Fiorella Minervino & Franco Russoli, L'opera completa di Picasso cubista, Milan, 1972, no. 244
Pierre Daix & Joan Rosselet, Picasso, The Cubist Years, 1907-1916: A Catalogue Raisonné of the Paintings and Related Works, London, 1979, no. 250, illustrated p. 237
Josep Palau i Fabre, Picasso Cubism, 1907-1917, New York, 1990, no. 342, p. 500, illustrated p. 123 (titled Grooved Head)
__________________________________________________________________________
Christian Zervos, Pablo Picasso, Œuvres de 1906 à 1912, Paris, 1942, vol. II, no. 147, reproduit p. 74
Fiorella Minervino & Franco Russoli, L'opera completa di Picasso cubista, Milan, 1972, no. 244
Pierre Daix & Joan Rosselet, Picasso, The Cubist Years, 1907-1916: A Catalogue Raisonné of the Paintings and Related Works, Londres, 1979, no. 250, reproduit p. 237
Josep Palau i Fabre, Picasso Cubism, 1907-1917, New York, 1990, no. 342, p. 500, reproduite p. 123 (sous le titre Grooved Head)
signé Picasso et daté 1909 (au dos)
gouache sur papier
62,5 x 47,5 cm; 24⅝ x 18¾ in.
Exécuté à Paris au printemps 1909.
