Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Feb 4, 2014 | Christie's | London | The Art of the Surreal | 142 | $****** - ****** | Peinture (Painting) |
paintings
77.8 x 107.6 cm (30.62 x 42.37 in)
oil, casein, rock and sand on masonite
signed 'Miró' (upper right); signed Joan Miró, dated été 1936 and titled (on the reverse)
Galerie Maeght, Paris.Galería Theo, Madrid.Galerie Urban, Paris.
Private collection, Japan.
Private collection, Lisbon, by whom acquired from the above in 2003.
Basel, Kunsthalle, Joan Miró, March April 1956, no. 42.London, Tate Gallery, Joan Miro´, Painting, sculpture and ceramics, August - October 1964, no. 144; this exhibition later travelled to Zurich, Kunsthaus, October - December 1964. Knokke-Heist, Casino Communal, XXIVe Festival belge d'été, Joan Miró, June - August 1971, no. 24, p. 41 (illustrated; titled 'Peinture sur masonite').Venice,XXXVII Biennale di Venezia, June Octobre 1976, no. 944.Madrid, Galería Theo, Joan Miró, May - June 1978, illustrated.Barcelona, Galería Theo, February 1987, no. 11.Ferrara, Palazzo dei Diamanti, Miró, la terra, February - May 2008, no. 24, p. 141 (illustrated).Madrid, Museo Thyssen-Bornemisza, Miro´: earth, June - September 2008. New York, Museum of Modern Art, Joan Miro´, painting and anti-painting, 1927-1937, November 2008 - January 2009, pl. 105 (illustrated p. 210).
J. Prévert & G. Ribemont-Dessaignes, Joan Miró, Paris, 1956, p. 141.J. Dupin, Miró, Life and Work, London, 1962, no. 471, p. 536 (illustrated).M. Bucci, Miró, Barcelona, 1970, no. 19 (illustrated).M. Rowell, Joan Miró, Peinture = poésie, Paris, 1976, p. 66 (illustrated).R. Penrose, Joan Miró, Paris, 1990, no. 59, p. 86 (illustrated).P. Gimferrer, The Roots of Miró, Barcelona, 1993, no. 569, p. 362 (illustrated).J. Dupin & A. Lelong-Mainaud, Joan Miró, Catalogue raisonné, Paintings, vol. II, 1931-1941, Paris, 2000, no. 532, p. 160 (illustrated).
