Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Oct 5, 2018 | Christie's | New York | An American Journey: The Diann G. and Thomas A. Mann Collection of Photographic Masterworks | 89 | $****** - ****** | Juniper, Lake Tenaya |
photographs
24.2 x 19.1 cm (9.53 x 7.52 in)
gelatin silver print, mounted on card
initialed and dated by the artist in pencil and printer's notations in an unknown hand in pencil/ink (mount, recto); signed, titled 'Juniper - Sierra Nevada' and dated in pencil (mount, verso)
Acquired by the present owner before 1988.
Ithaca, New York, Herbert F. Johnson Museum of Art, Cornell University, Cornell Collects: A Celebration of American Art from the Collections of Alumni and Friends, August 21–November 4, 1990, no. 74.
Nancy Newhall (ed.), Edward Weston: The Flame of Recognition, Aperture Foundation, New York, 1965, p. 87.
Ben Maddow, Edward Weston: Fifty Years, Aperture Foundation, New York, 1973, p. 183.
Edward Weston’s Gifts to His Sister, The Dayton Art Institute, Dayton, 1978, p. 28.
Charis Wilson, California and the West, with 64 Photographs by Edward Weston, Aperture Foundation, New York, 1978, p. 85.
Keith F. Davis, Edward Weston: One Hundred Photographs, The Nelson-Atkins Museum of Art, Kansas City, 1982, p. 38.
Beaumont Newhall, Supreme Instants: The Photography of Edward Weston, Little, Brown and Company, Boston, 1986, pl. 82, n.p.
Amy Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography, Center for Creative Photography, Tucson, 1992, fig. 1088/1937.
Sarah M. Lowe et al., Edward Weston: Life Work, Lodima Press, Revere, 2003, p. 168.
gelatin silver print, mounted on card
initialed and dated by the artist in pencil and printer's notations in an unknown hand in pencil/ink (mount, recto); signed, titled 'Juniper - Sierra Nevada' and dated in pencil (mount, verso)
image/sheet: 9 1/2 x 7 1/2 in. (24.2 x 19.1 cm.)
mount: 14 1/8 x 13 7/8 in. (35.8 x 35.2 cm.)
