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| Image | Last Sale Date | Title | Edition No. | Last Sale | Last Sale Auction House | Last Sale Location | |
|---|---|---|---|---|---|---|---|
| Oct 5, 2018 | Untitled Film Still #53 | 1 | Phillips | London | |||
| Nov 15, 2012 | Untitled Film Still #53 | Phillips | New York | ||||
| Apr 7, 2008 | Untitled Film Still #53 | 3 | Sotheby's | New York | |||
photographs
60.7 x 91 cm (23.9 x 35.83 in)
black and white photograph
signed, numbered and dated 'Cindy Sherman AP 1/1 1980' on a label affixed to the reverse
Metro Pictures Gallery, New York
Acquired from the above by the present owner
Amsterdam, Stedelijk Museum, Cindy Sherman, 24 December 1982 - 6 February 1983, pl. 33, n. p. (another example exhibited and illustrated)
Milan, Padiglione d'arte Contempotanea, CINDY SHERMAN, 4 October - 4 November 1990, pp. 29, 91 (another example exhibited and illustrated, p. 29)
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Cindy Sherman: Film Stills, 15 March - 25 June 1995 (another example exhibited and illustrated, back cover)
Rotterdam, Museum Boymans-van Beuningen; Madrid, Palacio de Velázquez, Parque del Retiro Museo Nacional Centro de Arte Reina Sofía; Bilbao, Sala de Exposiciones REKALDE; Baden-Baden, Staatliche Kunsthalle, Cindy Sherman, 10 March 1996 - 23 March 1997, no. 24, pp. 58-59 (another example exhibited and illustrated)
Peter Schjeldahl, Michael Danoff, eds., Cindy Sherman, New York, 1984, pl. 33 (another example illustrated)
Arthur C. Danto, Untitled Film Stills, Cindy Sherman, London, 1990, pl. 36 (another example illustrated)
Rosalind Krauss, Norman Bryson, eds., Cindy Sherman 1975-1993, New York, 1993, pp. 62-63, 226 (another example illustrated, pp. 62-63)
David Frankel, ed., The Complete Untitled Film Stills: Cindy Sherman, New York, 2003, pp. 102, 103 (another example illustrated, p. 103)
Margaret Lazzari, Dona Schlesier, eds., Exploring Art: A Global, Thematic Approach, Boston, 2014, no. 11.12, p. 322 (another example illustrated)
Sandra Zalman, Consuming Surrealism in American Culture - dissident modernism, Surrey, 2015, pp. 144, 145, 208 (another example illustrated, p. 145)
