James Thrall Soby, Giorgio de Chirico , 1955, pp. 38, 48 and 50; p. 167, illustrated (titled Nude (Etude) and dated 1911-12)
Claudio Bruni Sakraischik, Catalogo Generale, Giorgio De Chirico , opere dal 1908 al 1930 , vol. V, Milan, 1974, no. 297, n.p., illustrated
Maurizio Fagiolo Dell"Arco, L"opera completa di De Chirico, 1908-1924 , Rome, 1984, no. 37, p. 86, illustrated (titled Étude (studio) Nu au cheveux noirs and dated 1913)
Paolo Baldacci, De Chirico, 1888-1919, La metafisica , Milan, 1997, no. 27, p. 151, illustrated; p. 165, illustrated in colour (titled Nu (aux cheveux noirs) (Nudo) and dated 1913)
Exh. Cat., Verona, Galleria dello Scudo, De Chirico: gli anni Trenta , 1998-99, no. 2, p. 304 (titled Nu aux cheveux noirs and dated 1912)
Gerd Roos, Giorgio de Chirico e Alberto Savinio: Ricordi e Documenti - Monaco, Milano, Firenze 1906-1911 , Bologna, 1999, no. 56, p. 385 (titled Étude (studio) Nu au cheveux noirs and dated 1913)
Exh. Cat., Dusseldorf, Kunstsammlung Nordrhein-Westfalen, Die Andere Moderne - De Chirico/Savinio , 2001, no. 22, p. 74, illustrated (titled Rückenakt (mit schwarzem Haar) and dated 1913)
Victoria Noel-Johnson, De Chirico and the United Kingdom (c. 1916 - 1978) , San Marino, 2017, p. 71, illustrated; pp. 60, 68, 302 and 309 (titled Nu [aux cheveux noirs] and dated 1912-13)
Exh. Cat., Mons, Musée des Beaux-Arts, Giorgio de Chirico, aux origines du surréalisme belge. Magritte-Delvaux-Graverol , 2019, no. 3, p. 58, illustrated in colour (titled Nu [aux cheveux noirs] and dated 1912-13); p. 66
Victoria Noel-Johnson, “De Chirico in the René Gaffé Collection & the Role of E.L.T Mesens (Brussels - London),” Metaphysical Art, no. 19/20, 2020, fig. 6, p. 46, illustrated in colour (titled Nu [au chevaux noirs] and dated 1912-13); pp. 63, 68 and 77