Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Feb 4, 2014 | Christie's | London | Impressionist/Modern Evening Sale | 25 | $****** - ****** | La cueillette des pommes | |||
May 6, 2009 | Christie's | New York | Impressionist/Modern Evening Sale | 13 | $****** - ****** | La cueillette des pommes |
paintings
64.8 x 54.3 cm (25.51 x 21.38 in)
oil on canvas
signed and dated 'C.Pissarro. 81' (lower left)
Julie Pissarro, Eragny, by descent from the artist, in 1904. Galerie Paul Rosenberg, Paris.Galerie Thannhauser, Lucerne.Josef Stransky, New York, by 1933.Wildenstein & Co., Inc., New York, by whom acquired from the above, circa 1936.Robert Wallis, by whom acquired from the above in 1944.Jacques Lindon, New York.Evelyn Annenberg Jaffe Hall, by whom acquired from the above in 1950, and thence by descent, sale; Christie's, New York, 6 May 2009, lot 13.
Acquired by the present owner in 2009.
Paris, Galerie Manzi-Joyant, Exposition rétrospective d'oeuvres de Camille Pissarro, January - February 1914, no. 61.The Toledo Museum of Art, Paintings by French Impressionists and Post-Impressionists, November - December 1937, no. 21.New York, Wildenstein & Co., The Pleasures of Summer, July - August 1943, no. 13.Williamstown, Sterling and Francine Clark Art Institute, Pissarro's People, June - October 2011; this exhibition later travelled to the Fine Arts Museums of San Francisco.
M. Hamel, 'Camille Pissarro: Exposition rétrospective de ses oeuvres', in Les Arts, March 1914, p. 30.R. Allard, 'Les arts plastiques: Camille Pissarro', in Les Écrits français, 5 March 1914, pp. 64-66.P.B.C., 'The Stransky Collection of Modern Art', in Bulletin of the Worcester Art Museum, vol. XXIII, Winter 1933, no. 4, pp. 152-153.R. Flint, 'French Masters of the XIX and XX Century, The Private Collection of Josef Stransky New York', Special Reprint from The Art News Supplement, May 1931, including recent accessions up to May 1935 (illustrated p. 15). L.R. Pissarro & L. Venturi, Camille Pissarro, Son art - son oeuvre, vol. I, Paris, 1939, no. 545, p. 158 (illustrated, vol. II, pl. 112).J. Rewald, Camille Pissarro (1830-1903), Paris, 1954 (illustrated pl. 30).M. Stein, Camille Pissarro (1830-1903), Copenhagen, 1955 (illustrated pl. 30).J. Pissarro, Camille Pissarro, New York, 1993, pp. 194 & 217 (illustrated no. 230, p. 196).M. Ward, Pissarro, Neo-Impressionism and the Spaces of the Avant-Garde, London, 1996, p. 279.J. Pissarro & C. Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, vol. II, Paris, 2005, no. 659, p. 440 (illustrated).
