Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Dec 4, 2012 | Christie's | London | Old Master & British Paintings Evening Sale | 11 | $****** - ****** | Portrait Of A Lady, Three-Quarter-Length, In A Black Mantle, Rust-Coloured Silk skirt and a lace ruff, with coral beads around her neck |
paintings
100.4 x 74.9 cm (39.53 x 29.49 in)
oil on canvas, the corners made up
(Possibly) Marchesa Lomellini Durazzo, Genoa. with Luigi Grassi, Florence (1858-1940). Marcus Kappel (d. 1931), Berlin, by 1909. Ernest G. Rathenau, New York, and by descent to. Ellen Ettlinger (née Rathenau), Oxford. with Knoedler & Co., New York. Norton Simon Foundation, Los Angeles
Sotheby's, London, 11 July 1973, lot 20 (£180,000). with Brod Gallery, London.
Berlin, Kaiser Friedrich-Museums-Verein, Ausstellung von Bildnissen des fünfzehnten bis achtzehnten Jahrhunderts: Aus dem Privatbesitz der Mitglieder des Vereins, 31 March-30 April 1909, no. 30. Genoa, Palazzo dell'Accademia, Cento Opere di Van Dyck, June-August 1955, no. 18. Princeton, Princeton University Art Museum, Northern 17th-century Painting. Selections from the Norton Simon, Inc., Museum of Art, 1972, no. 7.
E. Schaeffer, Van Dyck: Des Meisters Gemälde, Klassiker der Kunst, Stuttgart and Leipzig, 1909, p. 183. D. von Hadeln, 'Die Portätausstellung des Kaiser Friedrich-Museums-Vereins', Zeitschrift für bildende Kunst, 1909, XX, p. 297, fig. 3. W. Bode, Die Gemäldesammlung Marcus Kappel in Berlin, Berlin, 1914, no. 38, illustrated. G. Glück, Van Dyck: Des Meisters Gemälde, Klassiker der Kunst, London, 1931, p. 165. O. Millar, 'Van Dyck a Genova', The Burlington Magazine, XCVII, 1955, p. 314. D. Steadman, 'The Norton Simon Exhibition at Princeton', Art Journal, XXXII, Autumn 1972, no. 1, pp. 35-6, fig. 5. S.J. Barnes, Van Dyck in Italy, Ph.D. dissertation, New York University, 1986, no. 62. E. Larsen, The Paintings of Anthony van Dyck, Freren, 1988, II, p. 148, no. 364. S.J. Barnes et al., Van Dyck, A Complete Catalogue of the Paintings, New Haven and London, 2003, p. 231, no. II.107.
