Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jun 7, 2019 | Ketterer Kunst | Munich | Art of the 20/21 Century I | 175 | $****** - ****** | Teller mit Äpfeln (Äpfelstillleben) |
paintings
26 x 40 cm (10.24 x 15.75 in)
Oil on cardboard , laid on board and mounted on canvas
Signed and dated in lower left
Collection Dr. Bernward Talleur, Hofheim im Taunus (as of 1938/39, acquired directly from the artist through the agency of Hanna Bekker vom Rath).
Private collection, Hofheim im Taunus (inherited in 1965).
Private collection Southern Germany.
Angelica Jawlensky Bianconi, Zur Spaltung der Kartonbildträger Alexej von Jawlenskys, in: Alexej von Jawlensky-Archiv AG, Locarno (editor), Forschungsbeiträge zu Leben und Werk Alexej von Jawlenskys (Reihe Bild und Wissenschaft vol. 3), Locarno 2009, p. 147.
Nathalie Bäschlin, Alexej Jawlenskys Grüner Reiter - ein Kommentar aus restaurierungsethischer Sicht, in: Alexej von Jawlensky-Archiv AG, Locarno (editor), Forschungsbeiträge zu Leben und Werk Alexej von Jawlenskys (Reihe Bild und Wissenschaft vol. 3), Locarno 2009, p. 163.
Teller mit Äpfeln (Äpfelstillleben). 1932.
Oil on cardboard , laid on board and mounted on canvas.
Jawlensky/Pieroni-Jawlensky 2257. Jawlensky Bianconi addenda volume 3 CR (2257 r). Signed and dated in lower left. 26 x 40 cm (10.2 x 15.7 in) . [CH].
- Harmonious composition in glowing dark colors.
- With the fruit still lives from the days of the Meditations Jawlensky underwent a significant artistic process.
- Important step in the development to the still lives of the late 1930s that were made in the style of the Meditations
- Another fruit still life from the time (around 1931) is in the Museum Wiesbaden (CR 1383).
We are grateful to Mrs. Angelica Jawlensky-Bianconi, Alexej von Jawlensky-Archive S.A., Locarno, for her kind expert advice.
PROVENANCE: Collection Dr. Bernward Talleur, Hofheim im Taunus (as of 1938/39, acquired directly from the artist through the agency of Hanna Bekker vom Rath).
Private collection, Hofheim im Taunus (inherited in 1965).
Private collection Southern Germany.
LITERATURE: Angelica Jawlensky Bianconi, Zur Spaltung der Kartonbildträger Alexej von Jawlenskys, in: Alexej von Jawlensky-Archiv AG, Locarno (editor), Forschungsbeiträge zu Leben und Werk Alexej von Jawlenskys (Reihe Bild und Wissenschaft vol. 3), Locarno 2009, p. 147.
Nathalie Bäschlin, Alexej Jawlenskys Grüner Reiter - ein Kommentar aus restaurierungsethischer Sicht, in: Alexej von Jawlensky-Archiv AG, Locarno (editor), Forschungsbeiträge zu Leben und Werk Alexej von Jawlenskys (Reihe Bild und Wissenschaft vol. 3), Locarno 2009, p. 163.
